Renaissance Music
- Author: Kreitner, Kenneth
Book
$324.00Contents
- Contents: Introduction
- Part I Method: On 'instrumental style' in early melody, Lloyd Hibberd
- Specific information on the ensembles for composed polyphony, 1400-1474, David Fallows. Part II Songs: Going beyond the limits: experiments with vocalization in the French chanson, 1340-1440, Christopher Page
- Performance practices in the frottola, William F. Prizer
- The a capella heresy in Spain: an inquisition into the performance of the cancionero repertory, Tess Knighton
- Tenorleid, discantleid, polyphonic lied: voices and instruments in German secular polyphony of the Renaissance, Stephen Keyl
- Performance practice in the seconda pratticca madrigal, Rinaldo Alessandrini. Part III Sacred Music: The performing ensembles in Josquin's sacred music, David Fallows
- Performance practice in the Papal chapel during the 16th century, Richard Sherr
- The performance of Palestrina: some questions, but fewer answers, Graham Dixon
- The performance of Palestrina: some further observations, Noel O'Regan
- What can the organ Partitura to TomA!s Luis de Victoria's Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 tell us about performance practice?, Noel O'Regan
- Minstrels in Spanish churches, 1400-1600, Kenneth Kreitner. Part IV Instrumental Music: Voices and instruments: soloists and ensembles in the 15th century, Keith Polk
- A Cook's tour of Ferrara in 1529, Howard Mayer Brown
- Notes (and transposing notes) on the transverse flute in the early 16th century, Howard Mayer Brown. Part V Notation: Diatonic ficta, Margaret Bent
- 'High' clefs in composition and performance, Andrew Johnstone. Part VI Perspective: Sight-readings: notes on a capella performance practice, Donald Greig
- For whom do the singers sing?, Bonnie J. Blackburn
- Series Bibliography
- Name index.