Essays on the History of English Music in Honour of John Caldwell: Sources, Style, Performance, Historiography

Contents

• Introduction - Emma Hornby
• Traces of Lost Late Medieval Offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth [fl.1350] - Sally Harper
• The saints venerated in medieval Peterborough as reflected in the antiphoner Cambridge, Magdalene College, F.4.10 - David Hiley
• Interactions between Brittany and Christ Church, Canterbury in the tenth century: the Linenthal leaf - Emma Hornby
• A new source of late seventeenth- and early eighteenth-century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others - H. Diack Johnstone
• The earliest fifteenth-century transmission of English music to the continent - Margaret Bent
• 'Phantasy mania': Quest for a National Style -
• Purcell's 1694 Te Deum and Jubilate: its Successors, and its Performance History -
• Imitative counterpoint in mid-fifteenth-century English Mass settings - Reinhard Strohm
• Double cantus firmus compositions in the Eton Choirbook - Magnus Williamson
• Englishness in a Kyrie [Mis]attributed to Du Fay - Peter Wright
• Continuity, discontinuity, fragments and connections: the organ in church c.1500-1640 - John Harper
• 'As the Sand on the Sea Shore': Women Violinists in London's Concert Life around 1900 - Simon McVeigh
• The carol in Anglo-Saxon Canterbury -
• Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 - Owen Rees
• Music in Oxford, 1945-1960: The years of change - Susan Wollenberg
• Three Anglican Church Historians on Liturgy and Psalmody in the Ancient Synagogue and the Early Church - John Arthur Smith
• Histories of British Music and the Land Without Music: National Identity and the Idea of the Hero -
• Epilogue: John Caldwell [1938- ]: Scholar, Composer, Teacher, Musician -