Poetry and Music in Medieval France
From Jean Renart to Guillaume de Machaut
- Author: Butterfield, Ardis
Book
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Contents
- List of illustrations
- List of tables
- List of music examples
- Acknowledgments
- Bibliographical note
- List of abbreviations
- Prologue
- Part I . Text and Performance:
- 1. Song and written record in the early thirteenth century
- 2. The sources of song: chansonniers, narratives, dance-song
- 3. The performance of song in Jean Renart's Rose
- Part II . The Boundaries of Genre:
- 4. The refrain
- 5. Refrains in context: a case study
- 6. Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing
- Part III . The Location of Culture:
- 7. 'Courtly' and 'popular' in the thirteenth century
- 8. Urban culture: Arras and the puys
- 9. The cultural contexts of Adam de la Halle
- Part IV . Modes of Inscription:
- 10. Songs in writing: the evidence of the manuscripts
- 11. Chante/fable: Aucassin et Nicolette
- 12. Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146
- Part V : Lyric and Narrative:
- 13. The two Roses: Machaut and the thirteenth century
- 14. Rewriting song: chanson, motet, salut, and dit
- 15. Citation and authorship from the thirteenth to the fourteenth century
- Part VI . Envoy: The New Art:
- 16. The Formes fixes: from Adam de la Halle to Guillaume de Machaut
- Epilogue
- Glossary
- Appendix
- Bibliography.