Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

Contents

• 1. Contexts
• 2. Sonata Form as a Whole: Foundational Considerations
• 3. The Medial Caesura and the Two-Part Exposition
• 4. The Continuous Exposition
• 5. The Primary Theme
• 6. The Transition (TR)
• 7. The Secondary Theme (S) and Essential Expositional Closure: Initial Considerations
• 8. S-Complications: EEC Deferral and Apparent Double Medial Caesuras (TMB)
• 9. The Closing Zone (C)
• 10. The Development (Developmental Space)
• 11. The Recapitulation (Recapitulatory Space; Recapitulatory Rotation)
• 12. Non-Normative Openings of the Recapitulatory Rotation: Alternatives and Deformations
• 13. Parageneric Spaces: Coda and
• Introduction
• 14. Sonata Form in Minor Keys
• 15. The Three- and Four-Movement Sonata Cycle
• 16. Sonata Types and the Type 1 Sonata
• 17. The Type 2 Sonata
• 18. Rondos and the Type 4 Sonata
• 19. The Type 5 Sonata: Fundamentals
• 20. The Type 5 Sonata: Mozart's Concertos (R1: The Opening Ritornello)
• 21. The Type 5 Sonata: Mozart's Concertos (Solo and Larger Expositions: Solo 1 + Ritornello 2)
• 22. The Type 5 Sonata: Mozart's Concertos (Development and Recapitulation: From Solo 2 through Ritornello 4)
• Appendix
• 1. Some Grounding Principles of Sonata Theory
• Appendix
• 2. Terminology: "Rotation" and "Deformation"