Piano, Keyboard, & Organ
Turkish composer Büşra Kayıkçı presents Eskizler (meaning “sketches”), a collection of thirteen intimate pieces for solo piano, featuring music from her debut album of the same name alongside additional compositions. Written in a refined neoclassical style, the music is complemented by full-colour spreads of the composer’s own visual artwork and handwritten notes.
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Chopin's Waltz in A minor for piano, discovered in 2024 and edited by Pawel Kaminski.
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These pieces are dedicated to shedding light on the unsung contribution that the left-hand-only area of piano creativity has made.
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After 30 years of teaching piano and observing the various technical challenges that pianists need to master (particularly contemporary and late romantic repertoire) Speak has often felt the need to prescribe preparatory exercises for students. These have ultimately taken the form of little extended pieces of which this collection is a sample.
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Ravel’s plans for a piano concerto can be traced back to 1906, but it was only in early 1929 that the composer seriously started work on one. Alongside manuscripts and prints, a recording made under Ravel’s supervision by the work’s dedicatee, Marguerite Long, was consulted for this Henle Urtext edition. Since its successful premiere in January 1932 the concerto has been part of the repertoire of all great pianists, including Pascal Rogé, the French music expert who has provided the fingerings for the solo part.
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This organ method integrates the creative and technical experiences of organ students with a piano background right from the start. Stylistic and interpretive themes are presented within the context of their respective eras and developed alongside the students’ own musical creativity. German language.
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Instrumental
For this second of three volumes, British cellist and musicologist George Kennaway compiled thirty of Dotzauer’s moderately difficult etudes – from the well-known 24 Capricci, op. 35, the 12 Exercices, op. 70 as well as the collections op. 47, 54, 90, 116, 120, 148, 155 and 158.
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For this edition, violist Misha Galaganov has arranged the gamba fantasias for solo viola and in doing so, he has essentially retained the original musical text. For passages that lie outside the range of the viola – such as double stops and other multiple stops – he has found solutions that come as close as possible to Telemann’s compositional style.
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A creative, entertaining, and progressive violin method for children aged 5 and up. The repertoire spans a wide range of styles, from classical and folk music to world music and pop. Level 1 covers the fundamentals of violin playing, progressing from open strings to fingered notes using all fingers (1st finger pattern). Browse more in the series here.
Available Format: Sheet music with Online material
This collection includes a selection of familiar and newly discovered works by Franz Liszt. These shorter pieces cover a range of various styles and musical languages which Liszt adopted during his long life, as well as an insight into popular 19th-century genres. The main intention is not virtuosity or technical problems, but working on sound, phrasing and musical shape and expression.
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Vocal & Choral
Franz Schubert composed the Mass in G major, D167, in March 1815. Only six months earlier, he made his public debut as a composer with his first Mass in F major, D105. Although no specific occasion for the composition of the second mass is known, it was most likely written for Schubert’s home parish in Lichtental (now a district of Vienna), where it was also first performed.
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In a remarkably short span of time, Nirvana transformed the sound of rock music and gave a generation a new voice. Emerging from the Pacific Northwest underground, the band's raw intensity, stripped-down songwriting, and emotional honesty reshaped the musical landscape of the early 1990s and continues to influence artists today.
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Ivor Novello and Brit Award winner RAYE is back with the ambitious, optimistic, and cinematic This Music May Contain Hope. featuring hit single WHERE IS MY HUSBAND! This collection is perfect for fans looking to step into RAYE's world.
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Joanna Forbes L'Estrange's St. John's Service, Magnificat & Nunc Dimittis.
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For his six Lieder and Romances (Op. 93a) from 1883, Brahms assembled a variety of texts: a well-known Rhenish folksong, two Serbian folksongs, as well as poems by Achim von Arnim, Friedrich Rückert, and Goethe.
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Orchestral & Ensemble
Ravel’s plans for a piano concerto can be traced back to 1906, but it was only in early 1929 that the composer started working on it in earnest. Since its successful premiere in January 1932, the Concerto in G major has been part of the repertoire of all great pianists.
Available Format: Sheet Music
The Gesang aus Fingal (Song from Fingal) op. 17b for mixed choir and orchestra is an arrangement of the fourth movement from the Four Songs for Women’s Choir, Horns, and Harp, op. 17, which Brahms made in 1879 at the suggestion of Ferdinand Hiller.
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Louis Spohr’s Des Heilands letzte Stunden (Calvary) from 1835 is one of the most important Passion oratorios of the 19th century. The text, written by the well-known theologian Friedrich Rochlitz, inspired Spohr to compose a magnificent setting of the Passion, from the interrogation of Jesus to the burial. Dramatic choruses of the people, chromatically colored laments and poetic, finely orchestrated arias characterise the work.
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Edward Elgar’s Spanish Serenade, Stars of the Summer Night, written in 1892 for mixed choir and orchestra, paints an enchanting picture of a balmy night in Spain. The text comes from a play by Henry Longfellow, where it appears as a nocturnal serenade beneath the house of a pair of clandestine lovers.
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