Back Home in Kansas City

Overall this is classy, beautifully played jazz of the highest order, and with a level of perfection that many aspire to but few attain. — Jazzwise, November 2022, 4 out of 5 stars More…

Release Date: 7th Oct 2022
Catalogue No: SSR2205CD
Label: Smoke Sessions
Length: 65 minutes

In stock

Usually despatched within 1 working day

Bobby Watson: Back Home in Kansas City

Work length4:32

Bobby Watson

Victor Jones: Red Bank Heist

Work length7:32

Bobby Watson

Bobby Watson, Pamela Watson: Our Love Remains

Work length5:26

Bobby Watson, Carmen Lundy

Bobby Watson: Bon Voyage

Work length6:25

Bobby Watson

Cyrus Chestnut: The Star in the East

Work length6:33

Bobby Watson

John Hicks: Mind Wine

Work length4:38

Bobby Watson

Jeremy Pelt: Celestial

Work length5:41

Bobby Watson

Coltrane: Dear Lord

Work length6:01

Bobby Watson

Bobby Watson: Side Steps

Work length4:57

Bobby Watson

Jimmy Dorsey, Paul Madeira: I'm Glad There Is You

Work length7:15

Bobby Watson

Bobby Watson: Blues for Alto

Work length6:42

Bobby Watson

About
Reviews
Explore

About

Saxophonist/composer Bobby Watson draws inspiration from the rich jazz heritage of his Kansas City hometown on his spirited album Back Home in Kansas City. It features an all-star quintet with trumpeter Jeremy Pelt, pianist Cyrus Chestnut, bassist Curtis Lundy and drummer Victor Jones, with a guest appearance by singer Carmen Lundy.

As the title suggests, Back Home in Kansas City also pays homage to Watson’s hometown and its own rich musical heritage. The saxophonist grew up in KC, leaving to study at the University of Miami and then spending a quarter century making his name in New York City. He returned home in 2000 to serve as Director of Jazz Studies at the University of Missouri-Kansas City’s Conservatory of Music & Dance, retiring 20 years later.

His retirement coinciding with the pandemic, Watson found himself with plenty of time to reflect on Kansas City’s importance to his distinctive sound and, gradually, to play for local audiences who helped attune his approach to the blend of soul and balladry that makes up this new album.

Throughout Back Home in Kansas City, Watson’s gift for telling stories with his saxophone is on vibrant display. “Being out here in Kansas City has given me a chance to slow down and go deeper into what I want to play,” he explains. “The Kansas City audience is a sophisticated audience because of the history of this town. We’ve got people out here who have heard a lot of music. So I’m not playing down to the audience, and I’m not trying to simplify anything. I’m simply coming out of what I feel in my heart and my soul.”

Reviews

November 2022

Overall this is classy, beautifully played jazz of the highest order, and with a level of perfection that many aspire to but few attain.

December 2022

In a sense, it’s a missed opportunity. It might have been interesting to hear Watson’s men tackle “Swingmatism,” or even “Moten Swing” and “Prince Of Wales.” Perhaps another day. That isn’t the record he chose to make. Though it may mislead, it doesn’t disappoint.

Back Home in Kansas City

CD

Contents

Download queue