Browse: Purcell - Tis Nature's voice (from Hail, Bright Cecilia, Z328)
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Can be recommended without reservation … the wonderful By beauteous softness, from Queen Mary’s Birthday Ode of 1689, given this performance, I could quite easily listen to for ever … there’s... — More…
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Purcell: Songs & Dances Tim Mead (countertenor)
Les Musiciens de Saint-Julien, François Lazarevitch (flute/director)
Mead began as a choral scholar in England and is known for his clear diction and vocal poise, while Lazarevitch studied in Paris and Brussels, and has an eclectic approach to instrumental performance,... — More…
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PURCELL, H.: Vocal and Instrumental Music (From Rosy Bow'rs) (Sanford)
Brent Wissick (baroque cello), Sally Sanford (soprano), Raymond Erickson (harpsichord), Brent Wissick (bass viol), Raymond Erickson (chamber organ)
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Purcell: Sweeter Than Roses - Songs
Drew Minter (countertenor), Paul O'Dette (archlute), Mitzi Meyerson (harpsichord) and Mary Springfels (viol)
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Henry Purcell: Ayres & Songs from Orpheus Britannicus Harmonia Sacra & Complete Organ Music
Jill Feldman (soprano), Nigel North (archlute), Sarah Cunningham (bass viol)
Davitt Moroney
Instrumental contributions are exemplary, not least Davitt Moroney’s account of the organ works which interleave the sacred items. — More…
2 CDs
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Purcell - 'Tis Nature's Voice' And Other Songs And Elegies
René Jacobs (countertenor), Wieland Kuijken (viola da gamba), Konrad Junghänel (theorbo)
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Baroque and Romantic Vocal Music
Birgit Finnilä (contralto), Rolf Leanderson (baritone), Gunilla von Bahr (flute), Geoffrey Parsons (piano), Hans Fagius (organ)
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Purcell: How pleasant ‘tis to Love!
Nicolas Achten (baritone, harp, keyboards)
Scherzi Musicali, Reinoud Van Mechelen
it is the domestic atmosphere in which many of [the works] would have become known then, rather than a memory of their original theatrical or court contexts. that this disc seeks to celebrate...these... — More…
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Purcell: Come all ye songsters
Recorded live at Wigmore Hall, London, on 17 March 2015
Carolyn Sampson (soprano), Elizabeth Kenny (lute), Jonathan Manson (viol) & Laurence Cummings (harpsichord)
of course it’s soprano Carolyn Sampson’s peerless Purcell that steals the show – whether inhabiting tortured madness, or the airborne, caressing grace of an opening set from The Fairy Queen.... — More…
Awards:
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Gramophone Awards, 2017, Shortlisted - Recital
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