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Denève still summons a sensuous bloom in the Prélude, and thanks to his influence, the RSNO proves better than the French at their own game: these are among the most seductive Debussy performances... —
Awards:
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Gramophone Magazine, August 2012, Editor's Choice
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Superbly played, and with a typical Beecham blend of beauty, warmth and sparkling fun, it is a joy from beginning to end —
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Played like this, with every phrase pulsating with life-enhancing radiance and choreographic intensity, these magical scores caress the senses as rarely before...Märkl is a master Debussyan,... —
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Sir Thomas Beecham conducts French Music
London Philharmonic Orchestra, Royal Philharmonic Orchestra, Orchestre National de la Radiodiffusion Francaise, Sir Thomas Beecham
The French accent he found for the RPO in Bizet's L'Arlesienne Suites is still deliciously colourful 55 years on. This is the box to explore first if you're a fan of Beecham's lollipops...no... —
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The great thing about Beecham’s conducting of such pieces as the dances from Samson and Delilah is that he enjoyed himself so enormously and, of course, he had an unbounded ability to make his... —
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Nettle & Markham in France
28 contrasting pieces for two pianos
David Nettle & Richard Markham (pianos)
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$12.25 -
BBC Legends Volume 1
Joyce Barker (Magna Peccatrix), Beryl Hatt (Mater Gloriosa), Agnes Giebel (Una Poenitentium), Kerstin Meyer (Mulier Samaritana), Helen Watts (Maria Aegyptiaca), Kenneth Neate (Doctor Marianus), Alfred Orda (Pater Ecstaticus), Arnold van Mill (Pater Profundus), Emil Gilels (piano), Zinka Milanov (soprano),...
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