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Im Herbst
Choral works by Brahms and Schubert
Grete Pedersen, Ingrid Andsnes (piano), Kåre Nordstoga (organ), Catherine Bullock and Madelene Berg (viola), Øystein Birkeland and Ole Eirik Ree (cello) & Dan Styffe (double bass)
Det Norske Solistkor
I hadn't come across these singers before: they are quite wonderful...The luscious 'Amen', ravishingly sung, is worth the price of the disc. — More…
Awards:
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Gramophone Magazine, February 2012, Editor's Choice
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Brahms: Works for chorus and orchestra
RecommendedAnn Hallenberg (mezzo)
Collegium Vocale Gent & Orchestre des Champs-Elysées, Philippe Herreweghe
This is one of the most impressive collections of Brahms's shorter chorus-and-orchestra works that's come my way for some time. It's partly because of the particular combination of works...But... — More…
Awards:
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Presto Recording of the Week, 5th March 2012
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BBC Music Magazine Awards, 2013, Choral Finalist
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Gramophone Magazine, May 2012, Editor's Choice
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BBC Music Magazine, April 2012, Choral & Song Choice
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Brahms & Rheinberger - Masses & Motets
The Choir of Westminster Cathedral, Martin Baker (The Master of Music)
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Brahms: Choral Works
Rundfunkchor Berlin, Deutsches Symphonie-Orchester Berlin, Antonio Adriani (horn), Elsie Bedleem (harp)
Gijs Leenaars
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The award-winning group Voces 8 is well-known for its wide-ranging programmes and accomplished technical control...In Monteverdi's Cantate Dominum (this is his 1620 setting, not the 1615 one)... — More…
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New. Choral works
Amadeus-Chor|Karl-Friedrich Beringer, Amadeus-Chor, Karl-Friedrich Beringer, Amadeus-Chor|Karl-Friedrich Beringer|Ruthild Zemann|Karin Steht|Robert Eller|Harald Stark, Ruthild Zemann, Karin Steht, Robert Eller, Harald Stark
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Special offer. Stimmt an die Saiten
Choral Music of the 19th Century
Rundfunkchor Berlin & Singakademie Kammerch, Dietrich Knothe & Helmut Koch
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Reformation 1517-2017
Holly Holt (soprano), Catherine Clark (mezzo-soprano), Jackson Riley (tenor), Christopher Holliday (bass), Paul Sharp (trumpet), Nicholas Morris (organ)
Choir of Clare College, Cambridge, Graham Ross
Thanks to the instrumental incisiveness of Clare Baroque, a splendid quartet of soloists, and Ross’s well-chosen tempos, the Bach has plenty of bite. All in all, an astutely conceived, rewarding... — More…
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