Browse: Rachmaninov - Ne poy, krasavitsa, pri mne, Op. 4 No. 4

her gloriously rich timbre [is] suitably tempered to accommodate a sequence of songs delivered in five different languages. As one might expect, she shows a strong affinity for the Russian songs...But... — BBC Music Magazine, October 2021, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

The Rachmaninov songs suit that lower register particularly well; the famous Vocalise is luxuriantly attractive, and Don’t Sing, My Beauty sensuously nostalgic…she closes with two songs from... — BBC Music Magazine, September 2017, 4 out of 5 stars More…

Schwartz’s warm, silky playing matches Fedorova’s rounded piano touch. The top of the bass range lacks the penetrating quality of its smaller relatives, but Schwartz compensates with gravitas... — BBC Music Magazine, August 2021, 3 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

Anna Netrebko frames her recital with the two great heroines of Russian 19th- and 20th- century opera: Tatyana in Tchaikovsky's Eugene Onegin and Natasha in Prokofiev's War and Peace. …Netrebko... — Gramophone Magazine, November 2006 More…

Sensitive cello playing throughout. The recording could be a little cleaner. — BBC Music Magazine, August 2018, 3 out of 5 stars More…