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Chopin - Mazurka No. 41 in C sharp minor, Op. 63 No. 3
Genres:
Instrumental » Piano Solos » Mazurkas
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he plays [the Mozart] with restraint, albeit micromanaging the music so that no phrase sounds the same twice...[in the Chopin] Sokolov ranges from introspective musing to his native Russian... —
Awards:
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Presto Recording of the Week, 19th January 2015
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Gramophone Magazine, February 2015, Editor's Choice
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Gramophone Awards, 2015, Finalist - Instrumental
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Presto Recordings of the Year, Finalist 2015
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To listen to Moravec is to be reminded of another era, one in which there was no political correctness surrounding Bach and the modern piano. He gives a warm, richly rhetorical reading of the... —
Awards:
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Gramophone Magazine, November 2015, Editor's Choice
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The most striking feature of Blechacz's approach to these dances is his exquisite phrasing, always poised and graceful. He employs ample rubato, but never more than suggested by Chopin's notation. —
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No one could imitate anything Horowitz did, and that’s particularly true of his Scarlatti, which combines lightness of action and the subtlest of pedalling...Schumann’s Arabeske, new to his... —
Awards:
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Gramophone Magazine, January 2016, Editor's Choice
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We can almost take for granted Tharaud's virtuosity, his sensitivity of touch and his satisfying mixture of imagination, intuition and good sense. But he is extraordinary in one very special... —
Awards:
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BBC Music Magazine, April 2010, Instrumental Choice
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Special offer. Sviatoslav Richter Archives, Volume 2
Chopin Recitals 1954-1977
Sviatoslav Richter (piano)
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He brings a thoughtfulness to the dramatic opening of the B flat minor Second Sonata and palpably enjoys the lyricism of the second theme. —
Awards:
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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Kissin is among the master-pianists of our time.
What magnificence and assertion he finds in the B minor Sonata's opening, what menace in the following uprush of chromatic scales, his deliberate... — -
The Argentinian pianist...brings a powerful and individual voice to the Preludes. The first feature that stands out is her tone quality: forthright, with warm and singing legato. She puts an... —
Awards:
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Gramophone Magazine, November 2014, Disc of the Month
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