Liszt - La Lugubre Gondola II, S200 No. 2
Genres:
Instrumental » Piano Solos
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Krystian Zimerman plays Liszt
RecommendedKrystian Zimerman (piano)
Boston Symphony Orchestra, Seiji Ozawa
Coinciding with the death of his mother and the birth of his daughter, these recordings were intensely personal for Zimerman. The Concertos are scintillating, the Sonata Olympian. — More…
Awards:
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Building a Library, April 2013, First Choice
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Building A Library, July 2021, Also Recommended
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Tiberghien’s quasi-improvisatory approach works marvellously with works which would otherwise risk sounding directionless and self-indulgent. His range is breathtaking, carefully terraced even... — More…
Awards:
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Presto Editor's Choice, February 2019
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BBC Music Magazine, March 2019, Instrumental Choice
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…Lewis makes the most of the bleak contours and cryptic ideas characterising Liszt's late pieces. — More…
Awards:
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Gramophone Magazine, October 2004, Editor's Choice
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Audio formats guide -
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Awards:
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Building a Library, July 2005, First Choice
Purchase product
Downloads
Audio formats guide -
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Special offer. Martha Argerich & Friends: Live from the Lugano Festival 2013
RecommendedMartha Argerich (piano), Mischa Maisky (cello) & Martha Argerich (piano), Renaud Capuçon (violin) & Francesco Piemontesi (piano), Alissa Margulis (violin) & Jura Margulis (piano), Gautier Capuçon (cello) & Gabriela Montero (piano), Andrey Baranov (violin) & Jura Margulis (piano),...
The festival has class written all over it and exudes more joy - and humour - than any comparable event known to me. Argerich herself leads off here, in Beethoven's First Piano Concerto, displaying... — More…
Awards:
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Presto Favourites, Recommended Recording
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Howard's performances are quite marvellous: scrupulously prepared and enlightened by this performer's high degree of spontaneity. Hyperion's recording captures every nuance — More…
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as a result of the focused intensity and sumptuous beauty of tone that Buniatishvili brings to the Liebestraum No. 3 we seem to be hearing this hoary old standard afresh. That mesmeric sense... — More…
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The 1876 Erard that Claire Chevallier plays here sheds new and fascinating light on [Liszt's] music, and especially on textures we may think we known...There's no deliberate homogeneity between... — More…
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