Browse: Cabezón, A - Diferencias sobre la Gallarda Milanesa
Composer: Antonio de Cabezón (1510–66)
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Bruno Cocset and Guido Balestracci take turns playing the solo bass (and sometimes treble) viol parts in these 27 ricercars, effectively elegant fantasies on mostly pre-existing pieces. They... — More…
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Orgues Notables de Catalunya, Vol. V
Modest Moreno i Morera (soloist), Ines Moraleda (vocalist), Albert Moraleda (vocalist)
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Tientos y Glosas en Iberia (Orgue Fontanes de Maqueixa de Sao Vincente à Lisbonne)
Dominique Vellard, Ensemble Gilles Binchois, Jesús Martín Moro
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El arte de fantasía
16th century dances, tientos & chansons by Cabezón, Mudarra, Josquin, Narváez, Crequillon, et al., transcribed by Luis Venegas de Henestrosa (c.1510-70)
Andrew Lawrence-King (Spanish double-harp, Renaissance harp, organ, harpsichord, psaltery)
Members of The Harp Consort
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the florid virtuosity, innate energy and lucid counterpoint are compelling. — More…
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