Browse: Kerll - Missa In fletu solatium obsidionis Viennensis

a magnificent monster it is… grand in every sense- the criss-crossing chromatic scales in the Amen of both the Gloria and the Credo are especially striking...the singing is fabulous and the instrumental... — Early Music Review, October 2013 More…

Its dominant mood is one of relief rather than anguish...Kerll trained in Rome, and there are echoes of Monteverdi and Carissimi in his motets, some of which are very sensuous. The Johann Rosenmüller... — The Guardian, 10th May 2012, 4 out of 5 stars More…