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In short, few if any expressive detail is ignored and affective moments in the composer’s dialogue are savoured to the full. —
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This is an excellent recording…I loved hearing Bach and Fasch played for the first time by Italians… I doubt a casual listener would discern anything particular – it is more likely that the... —
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The pleasure the members of the Freiburger BarockConsort take in this repertoire is palpable. —
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Telemann: Quatuors Parisiens Volumes 2 & 3
John Holloway (violin), Linde Brunmayr (transverse flute), Lorenz Duftschmid (viola da gamba), Ulrike Becker (violoncello) & Lars-Ulrik Mortensen (harpsichord)
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Florilegium here complete their cycle of Telemann's 'Paris' Quartets – actually a set of six quartet sonatas composed in Hamburg in 1730 but popular in France after their publication there,... —
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Telemann: Paris Quartets
Gustav Leonhardt (harpsichord), Barthold Kuijken (flute), Wieland Kuijken (viola da gamba), Sigiswald Kuijken (violin)
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Telemann: A Portrait
Frederic de Roos (recorder), Marc Minkowski (bassoon), Patrick Beuckels (flute), Stephane Van Dijck (Evangelist), Eric Frithjof (Jesus), Caroline Pelon (soprano), Vincent Darras (countertenor), Tobias Rapp (tenor), Choeur de Chambre de Namur, Greta de Reyghere (soprano), James Bowman (countertenor),...
