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In this recording of Missa Assumpta est Maria Peter Phillips has included the motet on which this work is based, together with another parody mass, the Sicut lilium with its corresponding motet.... — More…
Awards:
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Gramophone Awards, 1991, Winner - Early Music
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Recorded in various apt acoustics, the performances in this compendium combine tonal clarity with fluidity. An excellent introduction to Palestrina. — More…
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Palestrina: Missa Assumpta est Maria & Missa Brevis
Thomas Hunt (treble), John Tudhope (tenor)
Choir Of St. John's College, Cambridge (chorus), George Guest
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Special offer. Palestrina: Missa Assumpta est Maria, etc.
Clare College Choir Cambridge, Timothy Brown
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The whole effect is quasi-theatrical without being melodramatic. The Mass also has its virtues from the vigour of the Kyrie...to the delicate duetting of the Osanna. The recording retains the... — More…
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The final Agnus is especially beautiful with its added voice in the middle of the texture. Further recordings of this work are unlikely to displace the all-male, solo-voice approach advocated... — More…
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Palestrina: Best Masses
Charles Brett, Timothy Penrose, Ashley Stafford (countertenors), Wynford Evans, James Griffett, Neil Jenkins, Ian Partridge (tenors) David Beavan, Michael George, Gordon Jones, Christopher Keyte, Stephen Roberts (basses)
Pro Cantione Antiqua, Mark Brown
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$8.50