Browse: Paganini - Caprice for solo violin, Op. 1 No. 12 in A flat major

The Accardo/Paganini cycle remains a secure first choice: the Concertos are brilliantly and imaginatively played and well recorded. Indeed, these accounts do not fall down in any department. — Penguin Guide, 2011 edition More…

[Hadelich] manages to unravel Paganini’s nerve-shredding intricacies at speed while sustaining absolute tonal composure. The frankly ludicrous string-darting and hopping of No. 2 is negotiated... — BBC Music Magazine, March 2018, 5 out of 5 stars More…

Fischer plays these notorious finger-breakers as though they were amongst the most treasured pieces in the repertoire...she dons the various rhetorical disguises Paganini assumes...with engaging... — BBC Music Magazine, November 2010, 4 out of 5 stars More…

If anyone is ever likely to convince you that there is more to Paganini's music than Rossini-in-technical overdrive melodramatics, it is Tanja Becker-Bender. …Becker-Bender gives the Italian's... — BBC Music Magazine, November 2009, 4 out of 5 stars More…

The Wihan Quartet play their taxing parts with confidence and brilliance — Gramophone Magazine, July 2010 More…

This is one of those rare cases where the quality of the instrument comes across as vividly as the quality of the playing. Quite how Sueye Park manages to effect such a perfect blend of multiple-stops,... — Gramophone Magazine, January 2018 More…