Browse: Search results for: 'sudbin'

Sudbin gets my vote right at the start here by opening his Chopin recital with the Fantasy in F minor, one of the pinnacles of the composer's art...Sudbin captures its improvisatory qualities... — BBC Music Magazine, December 2011, 3 out of 5 stars More…

...the liberties rarely sound wilful, almost always revealing alternative insights, whilst Sudbin's handling of his potential heavy modern Steinway D grand is a delectable display of crispness,... — BBC Music Magazine, September 2010, 4 out of 5 stars More…

His stunning virtuosity and the sensitive interaction with the conductor and orchestra really does the talking. — BBC Music Magazine, January 2008 More…

One of the delights of Sudbin’s playing, whatever the repertoire, is his ability to convey a wide colouristic palette…this is an impressive Op. 110. The last sonata leaves me with more reservations…Ultimately... — Gramophone Magazine, April 2019 More…

The Russian mystic’s most layered, outlandish scores need state-of-the-art sound. Trust BIS to provide it from producer Robert Suff and sound engineer Fabian Frank, working in Singapore’s Esplanade... — BBC Music Magazine, Christmas 2022, 4 out of 5 stars More…

In the case of the very expansive Chopin Variations… Sudbin makes a persuasive case for this unjustly neglected work, demonstrating not only breathtaking technical control throughout, but also... — BBC Music Magazine, December 2005, 5 out of 5 stars More…

There’s no lack of personalities on display here…here we have a band of equals…The players are thrillingly daring in the Scherzo [of the Schumann], taken at a breakneck tempo with fizzing accents,... — Gramophone Magazine, February 2018 More…

The evergreen Second Concerto is gorgeously rich, with just the right amount of gooeyness. Sudbin captures the sheer weight of emotion in this work…Throughout, Sudbin creates a beautifully rounded... — BBC Music Magazine, June 2018, 4 out of 5 stars More…

The meaty piano parts in the Rachmaninov and Borodin benefit hugely from [Sudbin's] near-orchestral range and depth, and his sculptor's sense of form and phrase. Not that he outshines cellist... — BBC Music Magazine, February 2012, 4 out of 5 stars/5 out of 5 stars More…

the orchestra is sleek and well balanced in a handsome recording...Sudbin's playing feels as if he's improvising whole swathes. Performances of the Concerto don't come much better than this. — BBC Music Magazine, October 2013, 3 out of 5 stars/4 out of 5 stars More…