Browse: Search results for: 'andrew foster-williams'
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Nielsen & Vaughan Williams: Orchestral Works
Yehudi Menuhin/Arve Tellefsen/Royal Philharmonic Orchestra, Arve Tellefsen/Royal Philharmonic Orchestra/Yehudi Menuhin, Arve Tellefsen (violin), Royal Philharmonic Orchestra/Yehudi Menuhin, Ralph Markham/Kenneth Broadway/Royal Philharmonic Orchestra/Yehudi Menuhin, Ralph Markham (piano), Kenneth Broadway...
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Rossini: Aureliano in Palmira
Kenneth Tarver (Aureliano), Catriona Smith (Zenobia), Silvia Tro Santafé (Arsace), Ezgi Kutlu (Publia), Andrew Foster-Williams (High Priest of Isis), Vuyani Mlinde (Licinio), Julian Alexander Smith (Oraspe)
London Philharmonic Orchestra, Maurizio Benini
Opera Rara's performance is a fine one, conducted with stylistic assurance by Maurizio Benini and sung by a good cast, able to rise above the music's considerable technical challenges to achieve... — More…
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Booming Bass and Baritone Best Loved Opera Arias
Lado Ataneli (baritone), Carlo Colombara (bass), Samuel Ramey (bass), Renato Girolami (bass), Kurt Rydl (bass), Erich Knodt (bass), Matthias Goerne (baritone), Andrew Foster-Williams (bass-baritone), Michele Pertusi (bass-baritone), Eduard Tumagian (baritone), Ivan Urbas (bass), Jan Opalach (bass),...
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Campra: Le Carnaval de Venise
Salomé Haller (Isabelle), Marina de Liso (Léonore), Andrew Foster-Williams (Rodolphe), Alain Buet (Léandre), Mathias Vidal (Orphée), Sarah Tynan (Euridice), Blandine Staskiewicz (Minerve/La Fortune), Luigi de Donato (Le Carnaval/Pluton)
Le Concert Spirituel, Hervé Niquet
Hervé Niquet directs a fine instrumental ensemble whose players are entirely at ease with the score's stylistic niceties. The singing is more variable, though Salome Haller is magnificent as... — More…
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Spohr: Die letzten Dinge
Andrew Foster-Williams (bass), Jeremy Ovenden (tenor), Sally Matthews (soprano), Katharine Goeldner (mezzo-soprano)
Mozarteumorchester Salzburg, Salzburger Bachchor, Ivor Bolton
Haydn’s oratorios and the ceremonial scenes from Mozart’s Die Zauberflöte were Spohr’s models...This new version, recorded live in Salzburg last year, is strongly conducted by Ivor Bolton, and... — More…
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Handel: Partenope, HWV 27 Rosemary Joshua (Partenope), Kurt Streit (Emilio), Stephen Wallace (Armindo), Andrew Foster-Williams (Ormonte), Hilary Summers (Rosmira), Lawrence Zazzo (Arsace)
Early Opera Company, Christian Curnyn
Handel composed Partenope for the 1730 London season, less than a year into the so-called 'Second Academy' period in which he enjoyed increased artistic control over his productions. Partenope... — More…
3 CDs
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Max d'Olline: Collection Prix de Rome
Cantates, choeurs et musique symphonique
Chantal Santon, Virginie Pochon, Gabrielle Philiponet (sopranos), Jennifer Borghi, Marie Kalinine, Noelle Schepens (mezzos), Frédéric Antoun, Julien Dran, Mathias Vidal (tenors), Joris Derder (baritone), Andrew Foster-Williams (bass-baritone), Jean Teitgen (bass)
Brussels Philharmonic, Flemish...
2 CDs
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Campra & Couperin - Motets
Jaël Azzaretti, Paul Agnew, Bruno Renhold, Nicolas Rivenq, Andrew Foster-Williams & Arnaud Marzorati
Les Arts Florissants, William Christie
Both in the opera-aware 'grands' motets of Campra or the intimate 'petits' specimens of his contemporary, François Couperin, William Christie and his peerless forces match effortless command... — More…
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Lully: Phaéton
Emiliano Gonzalez Toro (Phaéton), Ingrid Perruche (Clymène), Isabelle Druet (Théone, Astrée), Gaëlle Arquez (Libye), Andrew Foster-Williams (Épaphus), Frédéric Caton (Mérops, Automne, Jupiter), Benoît Arnould (Protée, Saturne), Cyril Auvity (Triton, le Soleil)
Les Talens Lyriques, Christophe...
Perruche's Clymène is exquisitely sung, showing a command of ornamentation and full of passion. In general, all of the solo roles are dlivered with dramatic conviction and a strong sense of style...Rousset's... — More…
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Salieri: Les Horaces
Judith Van Wanroij (Camille), Cyrille Dubois (Curiace), Julien Dran (le jeune Horace), Jean-Sébastien Bou (le veil Horace), Philippe-Nicolas Martin (L’Oracle/un Albain/Valère/un Romain), Andrew Foster-Williams (Le Grand-Prêtre/le Grand-Sacrificateur), Eugénie Lefebvre (Une suivante de Camille)
Les...
The instrumental and choral numbers could be from 50 years later…Rousset’s fierce energy and musical intelligence unleashes the fire, colours and grandeur of Salieri’s drama. But the dearth of... — More…
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