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Early Music - up to 30% off

Until 3rd June 2019, we're offering up to 30% off over 6,500 early music discs (please note that discounts do not apply to downloads).

Browse: Early Music - up to 30% off, James O’Donnell (conductor)

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Restoration Music from Westminster Abbey

Robert Quinney (organ), Julian Stocker (tenor) & Robert Macdonald (bass)

Westminster Abbey Choir, James O'Donnell

Throughout every work O'Donnell's direction is alive to the sophisticated vocal layering, and ever attentive to the meaning of the words - an innate musicality echoed in Robert Quinney's 'voluntary... More…

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Robert Quinney (organ)

Westminster Abbey Choir, James O'Donnell

Where words and music most happily merge - for instance in Gibbons's Hosanna to the Son of David - the director and his vocalists exude confidence, animating melodic lines gracefully to reach... More…

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The Choir of Westminster Cathedral, James O'Donnell (The Master of Music)

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Christmas music from Westminster Cathedral

Iain Simcock (organ)

Choir of Westminster Cathedral, James O'Donnell

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Favourite Motets from Westminster Cathedral

Westminster Cathedral Choir, Iain Simcock (organ)

James O'Donnell

A beautiful disc of sacred motets from one of this country’s finest choirs More…

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with additional anthems and organ voluntaries

Robert Quinney (organ)

The Choir of Westminster Abbey, James O'Donnell

This particular work needs no introduction; indeed, some fine recordings already exist of this set, which has become a particular favourite of modern choirs. The atmosphere one associates with... More…

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Sisters in Hope of the Resurrection

The Choir of Westminster Abbey, James O’Donnell

The brilliance of the programming matches that of the singing. By ranging lesser-known works, such as Mundy's, alongside familiar music such as William Byrd's anthems, we can appreciate how... More…

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Robert Quinney (organ)

The Choir of Westminster Abbey, James O’Donnell

The choir, atmospherically recorded in the Abbey itself, sings this demanding repertoire with its customary zeal and a well-blended sound, and the performances are directed with the panache and... More…

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Robert Quinney (organ)

The Choir of Westminster Abbey, James O’Donnell

The boys might be singing Stanford's Caelos ascendit hodie, but they could just as easily be trilling ''Woohoo! It's Ascension Day!'' I love such musical joie de vivre, and not every choir is... More…

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These are very sound, lucid performances in every sense…in comparison with the Taverner Consort, James O’Donnell’s reading of Western Wynde is rather softer-centred, but…a work as resourcefully... More…

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