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Complete Recording, Vol. 19
Dorothee Mields, Isabel Schicketanz, David Erler, Georg Poplutz, Tobias Mäthger, Felix Schwandtke
Dresdner Kammerchor, Hans-Christoph Rademan
The Italian madrigals give a taste of a composer alive to musical colour and drama, playful as well as sophisticated…Though the Dresdner Kammerchor under Hans-Christoph Rademann are crisp and... — More…
Dorothee Mields (soprano), Stephan MacLeod (bass), David Erler (counter-tenor), Georg Poplutz (tenor), Tobias Mathger (tenor), Marie Luise Werneburg (soprano), Stefan Kunath (alto), Felix Schwandtke (bass)
Dresden Chamber Choir, Dresden Baroque Orchestra, Hans-Christoph Rademann
the Dresdner Kammerchor's sopranos very occasionally betray a slight strain at the top end, but otherwise the choir's tone is pleasing and compact, softer-centred than their rivals. Rademann's... — More…
Ludger Rémy (organ), Gerlinde Sämann (soprano), Stefan Kunath (alto), Georg Poplutz (tenor), Hille Perl (viola da gamba), Lee Santana (lute), Marie Luise Werneburg (soprano), Isabel Jantschek (soprano), Tobias Mäthger (tenor), Oliver Kaden (tenor), Felix Rumpf (bass), Felix Schwandtke (bass), Martin...
Tobias Mäthger (tenor), Matthias Müller (violin), Friederike Otto (cornet), Andreas Arend (theorbo), Beate Rollecke (organ), Georg Poplutz (tenor), Dorothee Mields (soprano), Margret Baumgartl (violin), Karina Müller (violin), Anna Schall (cornet), Gebhard David (cornet), Katja Johanning (recorder),...
Dorothee Mields (soprano)
Lautten Compagney Berlin, Wolfgang Katschner
Most effective are the ballads and lighter, folksy numbers, where Mields's agile voice enchants...Purists may fgind the ensemble takes a few too many liberties, orchestrating these pieces wioth... — More…
Dorothee Mields (soprano), Anja Zugner (soprano), Alexander Schneider (countertenor), Jan Kobow (tenor), Tobias Mäthger (tenor), Matthias Lutze (bass-baritone), Harry van der Kamp (bass), Matthias Müller (violin), Ludger Rémy (organ)
Dresden Kammerchor, Hans-Christoph Rademann
this much-recorded work receives as fine an interpretation as I can recall, thanks in no small measure to a cast of distinguished and sympathetic singers. But the continuo section, the recorded... — More…