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Special offer. J. S. Bach: the Art of Fugue On Bach's Original Instruments

Johannes Lang, Collegium Musicum '23

J. S. Bach: the Art of Fugue On Bach's Original Instruments
The members of Collegium '23 have gone to considerable lengths to 'play' themselves into these instruments, describing their rehearsals as a 'much-loved daily ritual'. Nevertheless, the results...

Special offer. J. S. Bach: the Art of Fugue On Bach's Original Instruments

Johannes Lang, Collegium Musicum '23

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
The members of Collegium '23 have gone to considerable lengths to 'play' themselves into these instruments, describing their rehearsals as a 'much-loved daily ritual'. Nevertheless, the results...

About

Johann Sebastian Bach took the opportunity to enhance the previously mediocre inventory of string instruments in Leipzig's two main churches in 1729 by purchasing four violins, two violas and two cellos from the workshop of Johann Christian Hoffmann (Leipzig 1683-1750). Three of these eight instruments, two violins and a viola, are still owned by the Thomaskirche. They could only be admired in a display case for decades, but here they can be heard in a recording for the first time. The Art of Fugue is framed by Bach's first and last Leipzig chorale arrangements, recorded on the Hildebrandt organ in Stormthal near Leipzig, which Bach had examined and inaugurated. Hearing these emblematic works on instruments that the Cantor himself had played is an extraordinary experience that provides direct historical testimony to the sound world of Johann Sebastian Bach.

Contents and tracklist

No. 1, Contrapunctus 1
Track length3:13
No. 3, Contrapunctus 3
Track length2:48
No. 2, Contrapunctus 2
Track length2:55
No. 4, Contrapunctus 4
Track length4:53
No. 14a, Canon per Augmentationem in Contrario Motu, perpetuus
Track length4:05
No. 5, Contrapunctus 5
Track length3:02
No. 6, Contrapunctus 6 in Stylo Francese
Track length3:28
No. 7, Contrapunctus 7 per Augmentationem et Diminutionem
Track length2:51
No. 14, Canon per Augmentationem in Contrario Motu
Track length5:02
No. 8, Contrapunctus 8 a 3
Track length5:48
No. 9, Contrapunctus 9 alla Duodecima
Track length2:29
No. 15, Canon alla Ottava
Track length2:42
No. 10, Contrapunctus 10 alla Decima
Track length4:00
No. 11, Contrapunctus 11
Track length6:32
No. 12,1, Contrapunctus 12
Track length1:41
No. 12,2, Contrapunctus 12, forma inversa
Track length1:47
No. 16, Canon alla Decima in Contrapunto alla Terza
Track length3:58
No. 13,1, Contrapunctus 13 a 3, forma inversa
Track length2:11
No. 13,2, Contrapunctus 13 a 3, forma recta
Track length2:14
No. 17, Canon alla Duodecima in Contrapunto alla Quinta
Track length2:08
No. 19, Fuga a 3 Soggetti
Track length7:54

Awards and reviews

August 2025

The members of Collegium '23 have gone to considerable lengths to 'play' themselves into these instruments, describing their rehearsals as a 'much-loved daily ritual'. Nevertheless, the results are far from a po-faced exercise in worthy reconstruction.
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