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Holst: The Planets – Deborah Cheetham Fraillon: Earth
Melbourne Symphony Orchestra, Jaime Martin, Deborah Cheetham Fraillon (soprano)
This is Martín's third recording on the orchestra's new in-house label, and there's certainly an edge-of-seat quality to 'Mars', the opening movement of Holst's The Planets, with punchy, wellbalanced...
Holst: The Planets – Deborah Cheetham Fraillon: Earth
Melbourne Symphony Orchestra, Jaime Martin, Deborah Cheetham Fraillon (soprano)
Purchase product
This is Martín's third recording on the orchestra's new in-house label, and there's certainly an edge-of-seat quality to 'Mars', the opening movement of Holst's The Planets, with punchy, wellbalanced...
About
The Melbourne Symphony Orchestra's latest album unites Holst's beloved "Planets" suite with the world premiere recording of Deborah Cheetham Fraillon's "Earth". More than a century after it's premiere, Gustav Holst's "The Planets" remains one of the rare orchestral works whose title alone can fill a concert hall. From the ferocious intensity of Mars to the otherworldly mystery of Neptune, the suite guides listeners on a cosmic journey, exploring the emotions and character each planet evokes.
Throughout a long and distinguished career as a soprano and composer Deborah Cheetham Fraillon AO (Yorta Yorta / Yuin) has championed the voice and visibility of classically trained Aboriginal and Torres Strait Island musicians, and in 2021 she began a five-year appointment as MSO First Nations Creative Chair. Written in response to the accompanying work on this album, Earth represents her seventh composition created for the musicians of the MSO, and brilliantly highlights Cheetham Fraillon's exceptional talents as both a composer and singer.
Contents and tracklist
- Jaime Martín, Melbourne Symphony Orchestra, Melbourne Symphony Orchestra Chorus
Awards and reviews
August 2025
This is Martín's third recording on the orchestra's new in-house label, and there's certainly an edge-of-seat quality to 'Mars', the opening movement of Holst's The Planets, with punchy, wellbalanced brass contributions and an appropriate quiver of nervosity in the march rhythms...The coupling is also interesting, a nine-minute piece entitled Earth by the Aboriginal composer Deborah Cheetham Fraillon.