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Walton: Violin Concerto, Symphonic Suite from 'Troilus and Cressida', Portsmouth Point

Charlie Lovell-Jones (violin), Sinfonia of London, John Wilson

Walton: Violin Concerto, Symphonic Suite from 'Troilus and Cressida', Portsmouth Point

Awards:

Wilson was made for Walton and the orchestral writing has rarely been captured with such razor-sharp edge cheek-by-jowl with transparent radiance.

Walton: Violin Concerto, Symphonic Suite from 'Troilus and Cressida', Portsmouth Point

Charlie Lovell-Jones (violin), Sinfonia of London, John Wilson

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Awards:

Wilson was made for Walton and the orchestral writing has rarely been captured with such razor-sharp edge cheek-by-jowl with transparent radiance.

About

Sinfonia of London and John Wilson start a new series of recordings of works by Sir William Walton with this album featuring Charlie Lovell-Jones as soloist in the Violin Concerto. Lovell-Jones has soloed with major orchestras internationally, broadcasting on radio and television. As leader of the multi-award-winning Sinfonia of London, he has performed at the BBC Proms and recorded numerous albums, and found success at a number of significant international competitions.

Commissioned by Jascha Heifetz, the Concerto was premièred in 1939, in America, and was enthusiastically received. Inspired by Walton’s friend and lover Alice Wimborne, the work is extremely lyrical and passionate in nature, sporting a wild, virtuosic Tarantella as the second movement. Alice was also a driving force behind the inception of Walton’s first grand opera, Troilus and Cressida, composed over almost a decade, largely after her untimely death. Here we hear the four-movement orchestral suite compiled in 1987 by Christopher Palmer, at the instigation of Lady Walton and his lifelong publisher OUP. Walton’s overture Portsmouth Point is the earliest work on the album, premièred in 1926.

Contents and tracklist

I. The Trojans (Arr. by Christoper Palmer)
Track length6:29
II. Scherzo (Arr. by Christoper Palmer)
Track length7:27
III. The Lovers (Arr. by Christopher Palmer)
Track length8:08
IV. Finale (Arr. by Christopher Palmer)
Track length6:32
I. Andante tranquillo
Track length10:39
II. Presto capriccioso alla napolitana
Track length6:04
III. Vivace
Track length12:16

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    28th February 2025
  • Gramophone Magazine
    April 2025
    Editor's Choice
  • Gramophone Awards
    2025 Shortlist
    Concerto

April 2025

Wilson was made for Walton and the orchestral writing has rarely been captured with such razor-sharp edge cheek-by-jowl with transparent radiance.

28th February 2025

Lovell-Jones despatches every technical demand thrown at him with apparent ease...As undoubtedly impressive as this is, it's not all about the flashy bits, and Lovell-Jones contrasts the virtuosic sections with a terrific searching tone, not least in the opening phrases of the concerto...Portsmouth Point is a bustling depiction of eighteenth-century seamen, and in Wilson's hands you can almost smell the salty sea air. Despite it being an overture, it's a cracking way to end the album, and makes me eager to hear more from all concerned.

20th March 2025

John Wilson and his Sinfonia of London have always been at their best with British repertoire, further confirmed by this album of music by William Walton. You might be tempted to purchase just on the basis of the super exhilarating 5 minutes and 40 seconds of the overture Portsmouth Point. But there are plenty of other pleasures.
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