US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details
Walton: Violin Concerto, Symphonic Suite from 'Troilus and Cressida', Portsmouth Point
Charlie Lovell-Jones (violin), Sinfonia of London, John Wilson
Awards:
-
Presto Recording of the Week, 28th February 2025
-
Gramophone Magazine, April 2025, Editor's Choice
-
Gramophone Awards, 2025 Shortlist, Concerto
Wilson was made for Walton and the orchestral writing has rarely been captured with such razor-sharp edge cheek-by-jowl with transparent radiance.
Walton: Violin Concerto, Symphonic Suite from 'Troilus and Cressida', Portsmouth Point
Charlie Lovell-Jones (violin), Sinfonia of London, John Wilson
Purchase product
Awards:
-
Presto Recording of the Week, 28th February 2025
-
Gramophone Magazine, April 2025, Editor's Choice
-
Gramophone Awards, 2025 Shortlist, Concerto
Wilson was made for Walton and the orchestral writing has rarely been captured with such razor-sharp edge cheek-by-jowl with transparent radiance.
About
Sinfonia of London and John Wilson start a new series of recordings of works by Sir William Walton with this album featuring Charlie Lovell-Jones as soloist in the Violin Concerto. Lovell-Jones has soloed with major orchestras internationally, broadcasting on radio and television. As leader of the multi-award-winning Sinfonia of London, he has performed at the BBC Proms and recorded numerous albums, and found success at a number of significant international competitions.
Commissioned by Jascha Heifetz, the Concerto was premièred in 1939, in America, and was enthusiastically received. Inspired by Walton’s friend and lover Alice Wimborne, the work is extremely lyrical and passionate in nature, sporting a wild, virtuosic Tarantella as the second movement. Alice was also a driving force behind the inception of Walton’s first grand opera, Troilus and Cressida, composed over almost a decade, largely after her untimely death. Here we hear the four-movement orchestral suite compiled in 1987 by Christopher Palmer, at the instigation of Lady Walton and his lifelong publisher OUP. Walton’s overture Portsmouth Point is the earliest work on the album, premièred in 1926.
Contents and tracklist
Spotlight on this release
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
Awards and reviews
-
Presto Recording of the Week28th February 2025
-
Gramophone MagazineApril 2025Editor's Choice
April 2025
Wilson was made for Walton and the orchestral writing has rarely been captured with such razor-sharp edge cheek-by-jowl with transparent radiance.
28th February 2025
Lovell-Jones despatches every technical demand thrown at him with apparent ease...As undoubtedly impressive as this is, it's not all about the flashy bits, and Lovell-Jones contrasts the virtuosic sections with a terrific searching tone, not least in the opening phrases of the concerto...Portsmouth Point is a bustling depiction of eighteenth-century seamen, and in Wilson's hands you can almost smell the salty sea air. Despite it being an overture, it's a cracking way to end the album, and makes me eager to hear more from all concerned.
20th March 2025
John Wilson and his Sinfonia of London have always been at their best with British repertoire, further confirmed by this album of music by William Walton. You might be tempted to purchase just on the basis of the super exhilarating 5 minutes and 40 seconds of the overture Portsmouth Point. But there are plenty of other pleasures.