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Ravel: The Complete Solo Piano Works
Seong-Jin Cho (piano)
Awards:
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Presto Recording of the Week, 17th January 2025
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Opus Klassik Awards, 2025, Instrumentalist of the Year
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Presto Recordings of the Year, Finalist 2025
Beauty of sound is one of the real strengths of Cho’s Ravel, whether it’s the seductive ripples of Jeux d'eau, the crystalline brilliance of the Sonatine or the glinting cascades of Une barque...
Ravel: The Complete Solo Piano Works
Seong-Jin Cho (piano)
Purchase product
Awards:
-
Presto Recording of the Week, 17th January 2025
-
Opus Klassik Awards, 2025, Instrumentalist of the Year
-
Presto Recordings of the Year, Finalist 2025
Beauty of sound is one of the real strengths of Cho’s Ravel, whether it’s the seductive ripples of Jeux d'eau, the crystalline brilliance of the Sonatine or the glinting cascades of Une barque...
About
“I’ve always been fascinated by the ideas, colours and emotions to be found in Ravel’s music, and it has been an honour to record his complete solo piano works and concertos” (Seong-Jin Cho)
Having loved Ravel since childhood and immersed himself in the composer while studying at the Paris Conservatoire, the young Korean pianist Seong-Jin Cho has chosen to mark the 150th anniversary of the composer’s birth in 2025 by recording his complete solo piano music and the two piano concertos, where he collaborates with the Boston Symphony Orchestra and Andris Nelsons.
One of today’s most elegant and accomplished pianists, ten years on from his Chopin Competition victory, Cho will release the first of the two albums, Ravel: The Complete Solo Piano Works, on 17 January 2025 (digitally and on two CDs). Seong-Jin Cho has always felt a close connection with the French piano literature and found himself fully discussing the challenges of the solo works, pointing to the composer’s orchestral sound and meticulous attention to detail. “Ravel really knew what he wanted, so I try to follow his specific markings,” he says.
Contents and tracklist
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
- Seong-Jin Cho (piano)
- Recorded: 2024-09-09
- Recording Venue: Siemens-Villa, Berlin
Spotlight on this release
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Awards and reviews
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Presto Recording of the Week17th January 2025
-
Opus Klassik Awards2025Instrumentalist of the Year
-
Presto Recordings of the YearFinalist 2025
March 2025
Beauty of sound is one of the real strengths of Cho’s Ravel, whether it’s the seductive ripples of Jeux d'eau, the crystalline brilliance of the Sonatine or the glinting cascades of Une barque sur l’océan. The way he sculpts the music, using silence to potent effect, is superb too
15th January 2025
Cho’s strength is that he keeps such a high standard of accuracy and clarity, down to the exact weighting of every chord even at speed, without sounding clinical or purely a virtuoso. There is always poetry here and grace, exceptionally so in the baroque elegance of Le Tombeau de Couperin...Ravel playing of such perfection of detail does not come round often.
April 2025
True, as we’d expect from a Gold Medal winner at the Warsaw Chopin Competition (2015), Cho has a nearly flawless technique – check out the clarity of Gaspard’s ‘Ondine’, for example, or the astonishing dexterity of the repeated notes in the Toccata that brings Le tombeau de Couperin to a sparkling close...But for all his virtuosity, extroverted moments are rare.
17th January 2025
The magic of this new set is that Cho brings to life the pure clarity and more metrical classicism of Ravel in a wholly engaging and sensitively expressed way. The Valses nobles et sentimentales display more nobility than sentimentality, and are representative of Cho’s playing throughout this set, evoking Ravel the polite and well-presented gentleman. That doesn’t mean cold or clinical though, and there is plenty of expression.