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Una poesia muta. Art in Early Cinquecento Venice

The Marian Consort, Rory McCleery

Una poesia muta. Art in Early Cinquecento Venice

Awards:

The Marian Consort field eight singers (four men, four women) under the marvellously controlled direction of Rory McCleery. Their sound is pure, their intonation unflappable, their balance immaculate....

Una poesia muta. Art in Early Cinquecento Venice

The Marian Consort, Rory McCleery

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Awards:

The Marian Consort field eight singers (four men, four women) under the marvellously controlled direction of Rory McCleery. Their sound is pure, their intonation unflappable, their balance immaculate....

About

Una poesia muta: Art in early Cinquecento Venice is the result of a collaboration between SWR radio, Staatsgalerie Stuttgart and The Marian Consort. Specially curated by the Stuttgart museum, Germany’s first ever exhibition devoted to Vittore Carpaccio and his contemporaries has inspired The Marian Consort to devise an album to accompany this artistic journey. Being one of the most prominent painters of the Early Renaissance in Venice, Carpaccio is likely to have been acquainted with the music and the composers recorded here, since all have strong links to the city at that time. If some of them are well-known today – Josquin, Jean Mouton, Adrian Willaert – others deserve wider recognition. The Marian Consort and its director Rory McCleery have assembled a typically fascinating programme, matched with superb singing.

Contents and tracklist

Awards and reviews

  • International Classical Music Awards
    2026
    Nominated - Early Music

March 2025

The Marian Consort field eight singers (four men, four women) under the marvellously controlled direction of Rory McCleery. Their sound is pure, their intonation unflappable, their balance immaculate. My only reservation is that they sound the same in everything.
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