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Johann Rosenmüller: Dixit Dominus · Sacred Concertos
Ensemble 1684, Gregor Meyer
Manifold aspects of Rosenmüller’s compositional ingenuity are revealed across an enthralling survey by Ensemble 1684’s dozen singers, five-part strings, two cornetti, four trombones, dulcian,...
Johann Rosenmüller: Dixit Dominus · Sacred Concertos
Ensemble 1684, Gregor Meyer
Purchase product
Manifold aspects of Rosenmüller’s compositional ingenuity are revealed across an enthralling survey by Ensemble 1684’s dozen singers, five-part strings, two cornetti, four trombones, dulcian,...
About
After studying at the University of Leipzig and spending several years as an organist at the city's Nikolai Church, the Saxon musician Johann Rosenmüller had to abruptly leave his position around 1655 for reasons less than honorable. He eventually found his way to Venice, where he worked at St. Mark’s Basilica and the renowned Ospedale della Pietà. Among the many musical "souvenirs" he later brought back from the South was a new church style, infused with a vibrant colorfulness previously unknown in the more austere musical traditions of the North. It’s no wonder that worshippers felt as if they were hearing angelic choirs and left the sacred concerts with their faith renewed. This musica coelestis continues to capture pure hearts and inspire a better life, even 340 years after the great composer’s death.
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Awards and reviews
March 2025
Manifold aspects of Rosenmüller’s compositional ingenuity are revealed across an enthralling survey by Ensemble 1684’s dozen singers, five-part strings, two cornetti, four trombones, dulcian, two lutes and organ (played by Artistic Director Gregor Meyer).