Pietro Giannotti, who in the title page of Op. 1 (entirely written in Italian) is described as native of Lucca, was born in that independent Tuscan city, in an unspecified year between the end of the seventeenth century and the beginning of the eighteenth. We do not have any information about his education or his musical pursuits before his activities in France began, in 1728, when he moved to Paris. From the subsequent year to 1758 we know that he served as a double-bass player at the Académie Royale de Musique. A much-appreciated performance of his as a violinist is documented at the “Concert spirituel” of 28 March 1749; on this occasion he also played some pieces of his own. He remained in Paris until his death, on 19 June 1765. In Paris he published about twenty works, all of instrumental chamber music. In all likelihood, Giannotti also carried out his activities within private circles, in the house of an influential French nobleman, as is demonstrated by his first publication, to which we must now turn our attention: Op. 1 is dedicated to Jean-Charles de Crussol (1675-1739), seventh Duke of Uzès and French peer, scion of an ancient aristocratic family, who was not only a patron but also an “amateur” who practised music for his own enjoyment.Pierluigi Mencattini, accompanied by the ensemble Labirinto Armonico (already protagonists of the edition of the sonatas by Giovanni Antonio Piani, tc 671690) in this double cd performs the full version of the collection.
Artists
Ensemble Labirinto Armonico and Pierluigi Mencattini featuring Anaïs Lauwaert, Alfonso Patriarca, Sergio Basilico, Walter D’Arcangelo and Stefania Di Giuseppe, Pierluigi Mencattini (soloist)
Ensemble Labirinto Armonico, Anaïs Lauwaert, Alfonso Patriarca, Sergio Basilico, Walter D’Arcangelo, Stefania Di Giuseppe
