The partnership proves to be exceptional, Minasi eliciting both honed and dynamically varied timbre from the ensemble...Queyras is equally compelling, adopting a beautifully sculpted melodic line adorned with light elegant bowing that feathers the phrase.

Ensemble Resonanz – period manners on (mainly) modern instruments – once again provide confident, driving accompaniment, both in the Kraft and in the more genteel, lyrical B flat Concerto of CPE Bach.

Written around the turn of the 19th century, [the Kraft] harks back to the style of a few decades earlier, but without any staleness...the finale — a “Rondo alla Cosacca” with an elegant cast over its folkish robustness — is a hearty showcase for Queyras’s rich tone and easy virtuosity, down to the wittily understated ending.