Help
Skip to main content

US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details

Mahler: Symphony No. 8

Carolyn Sampson, Jacquelyn Wagner (sopranos), Sasha Cooke (mezzo), Jess Dandy (contralto), Barry Banks (tenor), Julian Orlishausen (baritone), Christian Immler (bass-baritone), Minnesota Chorale, National Lutheran Choir, Minnesota Boychoir, Angelica Cantanti Youth Choir, Minnesota Orchestra, Osmo...

Mahler: Symphony No. 8
the trio of ‘penitent women’, dynamically careful, is a real beauty…The amateur choruses catch the fervour of the event, and a seraphic trumpet distinguishes the final massive optimism.

Mahler: Symphony No. 8

Carolyn Sampson, Jacquelyn Wagner (sopranos), Sasha Cooke (mezzo), Jess Dandy (contralto), Barry Banks (tenor), Julian Orlishausen (baritone), Christian Immler (bass-baritone), Minnesota Chorale, National Lutheran Choir, Minnesota Boychoir, Angelica Cantanti Youth Choir, Minnesota Orchestra, Osmo...

Purchase product

SACD

Hybrid Multi-channel

$18.00

In stock: usually despatched within 1 working day

Stream now Hi-RES 96 kHz, 24 bit
the trio of ‘penitent women’, dynamically careful, is a real beauty…The amateur choruses catch the fervour of the event, and a seraphic trumpet distinguishes the final massive optimism.

About

For its final concert of the 2021–22 season and Osmo Vänskä’s last as artistic director, the Minnesota Orchestra chose to present Mahler’s mammoth Eighth Symphony, which calls for one of the largest complement of performers in the history of music, a symbol of the communitarian spirit of collective cultural, social and religious-philosophical endeavour in what has been referred to as a ‘Mass for the Masses’. Mahler’s Eighth Symphony, unlike his others, reveals no contrary despairing voice. It is instead a monumentally affirmative expression of human spiritual achievement achieved through the union of two seemingly incompatible texts: the Latin hymn Veni Creator Spiritus and the conclusion of the second part of Goethe’s Faust. Its première in Munich in September 1910 gave rise to the greatest triumph of Mahler’s career, and a rollcall of European royalty and the artistic élite attended the final public rehearsal and the performances. The Minnesota Orchestra and Osmo Vänskä are here joined by Carolyn Sampson, Jacquelyn Wagner, Sasha Cooke, Jess Dandy, Barry Banks, Julian Orlishausen, Christian Immler as well as the Minnesota Chorale, the National Lutheran Choir, the Minnesota Boychoir and the Angelica Cantanti Youth Choir.

Artists

Carolyn Sampson, Jacquelyn Wagner (sopranos), Sasha Cooke (mezzo), Jess Dandy (contralto), Barry Banks (tenor), Julian Orlishausen (baritone), Christian Immler (bass-baritone), Minnesota Chorale, National Lutheran Choir, Minnesota Boychoir, Angelica Cantanti Youth Choir, Minnesota Orchestra, Osmo Vänskä

Contents and tracklist

Part I - Veni creator spiritus
Track length1:21
Part I - Imple superna gratia
Track length4:09
Part I - Infirma nostri corporis
Track length1:44
Part I - Tempo I. Allegro, etwas hastig
Track length1:26
Part I - Infirma nostri corporis II
Track length2:52
Part I - Accende lumen sensibus
Track length4:44
Part I - Veni, Creator... Da gaudiorum praemia
Track length4:12
Part I - Gloria sit Patri Domino
Track length2:52
Part II - Poco adagio
Track length7:13
Part II - Più mosso (Allegro moderato)
Track length3:17
Part II - Waldung, sie schwankt heran
Track length5:23
Part II - Ewiger Wonnebrand
Track length1:50
Part II - Wie Felsenabgrund mir zu Füßen
Track length4:45
Part II - Gerettet ist das edle Glied - Hände verschlinget
Track length1:01
Part II - Jene Rosen aus den Händen
Track length2:05
Part II - Uns bleibt ein Erdenrest
Track length1:47
Part II - Ich spür' soeben
Track length1:16
Part II - Höchste Herrscherin der Welt
Track length4:35
Part II - Dir, der Unberührbaren
Track length4:01
Part II - Bei der Liebe
Track length4:54
Part II - Neige, neige, du Ohnegleiche
Track length0:46
Part II - Er überwächst uns schon
Track length3:21
Part II - Komm! Hebe dich zu höhern Sphären
Track length7:43
Part II - Alles Vergängliche
Track length5:41

Awards and reviews

February 2024

the trio of ‘penitent women’, dynamically careful, is a real beauty…The amateur choruses catch the fervour of the event, and a seraphic trumpet distinguishes the final massive optimism.

January 2024

well worth a listen for its many beautiful observations, its first-rate engineering, and excellent soloists.

29th November 2023

Recording the Eighth has always been a difficult assignment. So has conducting it. For particular proof of Vanska’s victory, look to the tenderness of Part Two’s orchestral adagio and the finale’s mounting uplift, destined to leave the listener in some kind of heaven, even if not the exact one that Goethe’s text describes.
View download progress