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Mozart: Requiem - Paisiello: Messe pour le sacre de Napoléon

Sandrine Piau (soprano), Chantal Santon Jeffery (soprano), Éléonore Pancrazi (mezzo), Mathias Vidal (tenor), Thomas Dolié (baritone), Le Concert de la Loge, Chœur de Chambre de Namur, Julien Chauvin

Mozart: Requiem - Paisiello: Messe pour le sacre de Napoléon

Awards:

Le Concert de la Loge treat it all with power and premiere energy, the Dies Irae driven along, never allowed to touch the ground, the ‘Rex Tremendae’ attentively articulated by orchestra and...

Mozart: Requiem - Paisiello: Messe pour le sacre de Napoléon

Sandrine Piau (soprano), Chantal Santon Jeffery (soprano), Éléonore Pancrazi (mezzo), Mathias Vidal (tenor), Thomas Dolié (baritone), Le Concert de la Loge, Chœur de Chambre de Namur, Julien Chauvin

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This release includes a digital booklet

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Awards:

Le Concert de la Loge treat it all with power and premiere energy, the Dies Irae driven along, never allowed to touch the ground, the ‘Rex Tremendae’ attentively articulated by orchestra and...

About

Mozart’s Requiem was not performed in Paris until 1804, in a version slightly different from the composer’s original score. The press reported a triumph. That same year also saw the coronation of Napoleon Bonaparte – who had brought back a pronounced taste for Italian music from his Mediterranean conquests. He appointed the Neapolitan Giovanni Paisiello (1740-1816) as his maître de chapelle and commissioned him to write the music for his coronation: a Solemn Mass in B flat major. The Palazzetto Bru Zane has produced the modern edition of the work that is recorded here. Aside from the sumptuous events of 1804, the other year that links Napoleon to Mozart is 1841, when the Requiem was heard once more, this time at Les Invalides as Napoleon’s remains entered the building for their final burial. Sandrine Piau, Chantal Santon, Eléonore Pancrazi, Mathias Vidal and Thomas Dolié are the soloists in this programme, with Julien Chauvin conducting his ensemble Le Concert de la Loge and the Namur Chamber Choir.

Contents and tracklist

I. Introït
Track length2:37
II. Requiem
Track length4:32
III. Dies irae
Track length1:50
IV. Tuba mirum
Track length3:01
V. Rex tremendae
Track length1:38
VI. Recordare
Track length4:18
VII. Confutatis
Track length2:29
VIII. Lacrimosa
Track length3:05
IX. Agnus Dei
Track length2:17
I. Kyrie
Track length1:53
II. Gloria, Gloria
Track length1:29
III. Gloria, Laudamus te
Track length1:27
IV. Gloria, Gratias agimus tibi
Track length1:21
V. Gloria, Domine Deus
Track length4:50
VI. Gloria, Qui sedes ad dexteram Patris
Track length1:51
VII. Gloria, Quoniam
Track length2:53
VIII. Gloria, Cum sanctus spiritu
Track length3:02
IX. Credo, Credo
Track length1:48
X. Et incarnatus est
Track length3:10
XI. Et in spiritum sanctum
Track length2:16
XII. Sanctus
Track length0:40
XIII. Agnus Dei
Track length1:42
XIV. Domine salvum fac imperatorem
Track length2:11

Spotlight on this release

Awards and reviews

  • International Classical Music Awards
    2024
    Nominated - Choral

May 2023

Le Concert de la Loge treat it all with power and premiere energy, the Dies Irae driven along, never allowed to touch the ground, the ‘Rex Tremendae’ attentively articulated by orchestra and chorus – the excellent Choeur de Chambre de Namur – creating a true period storm with fine soloists including Sandrine Piau...The Requiem’s power contrasts with the tastefully joyful Messe pour Le Sacre de Napoléon.
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