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Liszt: Piano Concertos Nos. 1 & 2, Sonata

Alexander Ullman (piano), Susan Monks

BBC Symphony Orchestra, Andrew Litton

Liszt: Piano Concertos Nos. 1 & 2, Sonata

Awards:

some of the classiest pianism I’ve heard in the concertos recently...Ullman’s control is simply magnificent, whether in the clarity of his touch, the way he phrases the delicately rhetorical...

Liszt: Piano Concertos Nos. 1 & 2, Sonata

Alexander Ullman (piano), Susan Monks

BBC Symphony Orchestra, Andrew Litton

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Awards:

some of the classiest pianism I’ve heard in the concertos recently...Ullman’s control is simply magnificent, whether in the clarity of his touch, the way he phrases the delicately rhetorical...

About

Alexander Ullman was the winner of the 2011 Franz Liszt International Piano Competition in Budapest. He studied at the Purcell School, the Curtis Institute and the Royal College of Music. His teachers include William Fong, Leon Fleisher and Dmitri Alexeev. Alexander’s debut album on Rubicon was a recital of great Russian ballet music arranged for piano – Tchaikovsky, Prokofiev and Stravinsky – and received enthusiastic reviews from around the world. This album is his first concerto recording – the two Liszt Concertos are coupled with the B minor Sonata.

Contents and tracklist

I. Allegro maestoso (Tempo giusto)
Track length5:32
II. Quasi adagio
Track length4:47
III. Allegretto vivace
Track length4:14
IV. Allegro marziale
Track length4:29
I. Lento assai
Track length7:45
II. Allegretto energico come prima
Track length4:20
III. Andante sostenuto
Track length7:41
IV. Allegro energico (Fugue)
Track length3:10
V. Recapitulation (accentuato il canto)
Track length4:04
VI. Andante sostenuto
Track length3:46
I. Adagio sostenuto assai
Track length5:29
II. Allegro agitato assai
Track length2:05
III. Allegro moderato
Track length5:51
IV. Allegro deciso
Track length2:54
V. Marziale - un poco meno Allegro
Track length4:41
VI. Allegro animato
Track length1:54

Awards and reviews

  • Gramophone Magazine
    August 2022
    Editor's Choice
  • Record Review
    23rd July 2022
    Record of the Week

August 2022

some of the classiest pianism I’ve heard in the concertos recently...Ullman’s control is simply magnificent, whether in the clarity of his touch, the way he phrases the delicately rhetorical fioritura, or his gradation of dynamics within a trill or a run (try the end of the First Concerto’s first movement).

Nov/Dec 2022

Ullman makes Concerto No. 1 sound more interesting and varied than I’ve ever heard it...The less visceral Concerto No. 2 offers wider scope for interpretation...Ullman and Litton take full advantage of the possibilities for creating atmosphere and mood—the work emerges like a tone poem with piano solo.

August 2022

These performances are not out to dazzle their listeners but to pull back the curtain on the unique imagination of one of the foremost architects of musical Romanticism. Very highly recommended.

26th June 2022

Ullman captures with startling clarity and musicality the twin instincts within Liszt of tradition and experimentation.
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