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Pier Giuseppe Sandoni: Cantatas & Instrumental Works

La Floridiana, Francesca Aspromonte (soprano), Nicoleta Paraschivescu (harpsichord)

Nicoleta Paraschivescu

Awards:

Aspromonte’s singing is naturally radiant and musical, and shows an easy agility in Del timor d’un cor geloso, the most extrovert of the three. Although clarity is slightly undermined by a ringing...

Pier Giuseppe Sandoni: Cantatas & Instrumental Works

La Floridiana, Francesca Aspromonte (soprano), Nicoleta Paraschivescu (harpsichord)

Nicoleta Paraschivescu

Purchase product

CD

$17.50

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Awards:

Aspromonte’s singing is naturally radiant and musical, and shows an easy agility in Del timor d’un cor geloso, the most extrovert of the three. Although clarity is slightly undermined by a ringing...

About

A real discovery from the curious ensemble La Floridiana: cantatas and instrumental works Pier Giuseppe Sandoni, all world premiere recordings and a surprise: what was previously attributed to Johann Sebastian Bach, actually comes from - exactly: Sandoni.

An album of premieres of interesting Baroque works, dedicated to a composer who was a much sought-after composer and highly appreciated virtuoso on the harpsichord in Handel's time. We are talking about the Italian Baroque composer Pier Giuseppe Sandoni, who was known in his time not only as Handel's assistant and extremely virtuoso harpsichordist, but also as the husband of the famous prima donna Francesca Cuzzoni (1696-1778), for whom he wrote numerous arias. Despite their quality, Sandoni's works have fallen into oblivion; only a few of them have been edited, and the few that have survived lie only in manuscript in various European libraries.

Thanks to the ingenuity of Nicoleta Paraschivescu, leader of the Swiss ensemble La Floridiana, works by Sandoni can now be heard in a new recording. The album contains, of course, pieces for harpsichord solo like the "Suite in G minor" or the "Ciaccona for harpsichord in A major", but also instrumental pieces for ensemble like the "Sonata a Trè" for two violins and basso continuo in E minor. The cantatas "Dimmi crudel," "Chi s'intende d'amar," and "Del timor d'un cor geloso" heard on this album may have been written by Sandoni especially for his wife. In the case of this recording, they are sung by the excellent soprano Francesca Aspromonte.

Contents and tracklist

I. Dimmi crudel (Aria)
Track length4:40
II. O disleale, o ingrata (Recitative)
Track length1:08
III. Finché spirto in petto avrò (Aria)
Track length4:27
I. Adagio
Track length0:54
II. Allegro
Track length1:14
III. Adagio
Track length1:02
IV. Allegro
Track length1:18
I. Chi s'intende d'amar (Recitative)
Track length1:30
II. Più crudo e rio dolore (Aria)
Track length4:57
III. O di me più felici (Recitative)
Track length0:59
IV. Il vedere e non sperare (Aria)
Track length4:06
I. Prelude in G Minor (Attributed to J.S. Bach, BWV 837)
Track length2:25
II. Allemande in G Minor (Attributed to J.S. Bach, BWV 836)
Track length1:54
III. Sarabande in D Minor
Track length1:46
IV. Gigue in G Minor
Track length2:07
I. Del timor d'un cor geloso (Aria)
Track length3:47
II. Se mai ti nasce in mente (Recitative)
Track length0:25
III. Rispondi, non è vero! (Aria)
Track length2:42
IV. Da quel momento (Recitative)
Track length0:25
V. No potrai dir (Aria)
Track length3:18

Awards and reviews

  • Opus Klassik Awards
    2023
    Nominated - Solo Vocal

August 2022

Aspromonte’s singing is naturally radiant and musical, and shows an easy agility in Del timor d’un cor geloso, the most extrovert of the three. Although clarity is slightly undermined by a ringing church acoustic, this is a pleasing introduction to Sandoni.

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