Jean-Marc Luisada knows the song of Romanticism, the voice of the soul that permeates all of Schubert’s output.
In the Sonata no.15, the melodies that spring from the pen of a young composer of twenty-two are deceptive. The tranquillity of the pastoral atmosphere is often answered by the harsh suffering of reality.
The Sonata no.21 reveals a still more tragic universe, for Schubert could sense that he had very little time left to live.
Jean-Marc Luisada paints, with supreme elegance, the portrait of a composer who is at once rebellious and resigned, sometimes voluble, sometimes almost mute, seeking some consolation in the inspiration of his memories and regrets.
An overwhelming experience. And gently enveloping. These two monuments of chamber music reveal the two faces of Schubert.