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Special offer. Messiaen: La Transfiguration de Notre Seigneur Jesus-Christ; Poemes pour Mi & Chronochromie

Pierre-Laurent Aimard (piano), Lionel Cottet (cello), Jenny Daviet (soprano), Chor und Symphonie-Orchester des Bayerischen Rundfunks, Kent Nagano

Messiaen: La Transfiguration de Notre Seigneur Jesus-Christ; Poemes pour Mi & Chronochromie

Awards:

Considered as a pocket history of Messiaen’s large-scale writing, this set could hardly be improved upon...All five commercial recordings of La Transfiguration live up to the ambitions of the...

Special offer. Messiaen: La Transfiguration de Notre Seigneur Jesus-Christ; Poemes pour Mi & Chronochromie

Pierre-Laurent Aimard (piano), Lionel Cottet (cello), Jenny Daviet (soprano), Chor und Symphonie-Orchester des Bayerischen Rundfunks, Kent Nagano

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3 CDs

Original price $41.00 Reduced price $32.80

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48 kHz, 24 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 48 kHz, 24 bit

Awards:

Considered as a pocket history of Messiaen’s large-scale writing, this set could hardly be improved upon...All five commercial recordings of La Transfiguration live up to the ambitions of the...

About

Few performers are more familiar with the musical language of the French composer Olivier Messiaen than the American conductor Kent Nagano. Nagano has had Messiaen's orchestral works and oratorios in his programme for several decades now, and he also participated in the world premiere of 'Saint François d'Assise', Messiaen's only opera. During the year 1982 Nagano spent his time with Messiaen in Paris, where not only an artistic relationship but also a close personal one developed between the two musicians. BR-KLASSIK has now released three masterpieces by the French composer with the magical sound, presented by Kent Nagano to the Munich concert audience in recent years as conductor of the Symphonieorchester des Bayerischen Rundfunks: the oratorio 'La Transfiguration de Notre Seigneur Jésus-Christ' (The Transfiguration of Our Lord Jesus Christ) for chorus, seven solo instruments and orchestra, the song cycle 'Poèmes pour Mi' for soprano and orchestra, as well as 'Chronochromie' for large orchestra. These three live recordings document outstanding artistic events from the Munich concert programme of June 2017, July 2018 and February 2019.

Contents and tracklist

I. Recit evangelique (Live)
Track length2:48
II. Configuratum corpori claritatis suae (Live)
Track length5:55
III. Christus Jesus, splendor patris (Live)
Track length6:52
IV. Recit evangelique (Live)
Track length2:29
V. Quam dilecta tabernacula tua (Live)
Track length8:40
VI. Candor est lucis aeternae (Live)
Track length1:34
VII. Choral de la sainte montagne (Live)
Track length4:04
VIII. Recit evangelique (Live)
Track length3:23
IX. Perfecte conscius illius perfectae generationis (Live)
Track length16:43
X. Adoptionem filiorum perfectam (Live)
Track length7:37
XI. Recit evangelique (Live)
Track length4:33
XII. Terribilis est locus iste (Live)
Track length6:32
XIII. Tota trinitas apparuit (Live)
Track length15:12
XIV. Choral de la lumière de gloire (Live)
Track length7:54
No. 1, Action de grâces (Live)
Track length6:03
No. 2, Paysage (Live)
Track length1:51
No. 3, La maison (Live)
Track length1:43
No. 4, Épouvante (Live)
Track length2:48
No. 5, L'épouse (Live)
Track length2:30
No. 6, Ta voix (Live)
Track length3:25
No. 7, Les deux guerriers (Live)
Track length1:44
No. 8, Le collier (Live)
Track length4:04
No. 9, Prière exaucée (Live)
Track length3:23
I. Introduction (Live)
Track length3:25
II. Strophe I (Live)
Track length1:44
III. Antistrophe I (Live)
Track length3:11
IV. Strophe II (Live)
Track length1:35
V. Antistrophe II (Live)
Track length5:45
VI. Épôde (Live)
Track length4:34
VII. Coda (Live)
Track length2:40

Awards and reviews

  • International Classical Music Awards
    2022
    Nominated - Assorted Programs

January 2022

Considered as a pocket history of Messiaen’s large-scale writing, this set could hardly be improved upon...All five commercial recordings of La Transfiguration live up to the ambitions of the piece, but Nagano’s might be the finest yet.
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