One Hundred Years of British Song, Vol. 2
James Gilchrist (tenor), Nathan Williamson (piano)
Why do the seven songs of William Alwyn’s 1978 cycle A Leave-Taking not feature more often in recitals? Tenor James Gilchrist’s intense interpretation makes a compelling case for it. The title... — More…
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Alwyn: A Leave-Taking
- James Gilchrist, Nathan Williamson
No. 1, The Pilgrim Cranes
No. 2, Daffodils
No. 3, The Ocean Wood
Bush, A: The Prison Cycle, Op. 19 (Pages from "The Swallow Book") [Arr. for Tenor & Piano]
- James Gilchrist, Nathan Williamson
No. 1, Andante lentamente
No. 2, Andantino piacevole
No. 3, Poco gravamente
No. 4, Andante
No. 5, Grave
Rawsthorne, A: 2 Songs to Poems of John Fletcher
- James Gilchrist, Nathan Williamson
No. 1, Away, Delights
No. 2, God Lyaeus
Maconchy: 3 Donne Songs
- James Gilchrist, Nathan Williamson
No. 1, A Hymn to God the Father
No. 2, A Hymn to Christ
No. 3, The Sun Rising
Carwithen: Serenade for Tenor & Piano
- James Gilchrist, Nathan Williamson
Carwithen: 3 Songs to Poems by Walter de la Mare
- James Gilchrist, Nathan Williamson
No. 1, Noon
No. 2, Echo (Seven Sweet Notes)
No. 3, The Ride-by-Nights
Carwithen: Clear Had the Day Been
- James Gilchrist, Nathan Williamson
Carwithen: Slow Spring
- James Gilchrist, Nathan Williamson
Carwithen: Echo (Who Called?)
- James Gilchrist, Nathan Williamson
