Georg Christoph Strattner: Ich Will den Herrn Loben Allezeit

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Release Date: 7th May 2021
Catalogue No: CHR77454
Label: Christophorus
Length: 60 minutes

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Strattner: Ich will den Herrn loben allezeit

Work length4:00

$1.00

$1.30

Miriam Feuersinger, Monika Mauch, Alexander Schneider, Daniel Schreiber, Markus Flaig
Les Escapades

Strattner: Ach, mein Vater, ich habe gesündigt

Work length11:11

$3.00

$3.85

Miriam Feuersinger, Alexander Schneider, Daniel Schreiber, Markus Flaig
Les Escapades

Strattner: Getreuer Schöpfer, der du mich

Work length8:27

$2.00

$2.60

Miriam Feuersinger, Alexander Schneider, Daniel Schreiber, Markus Flaig
Les Escapades

Strattner: Ich stelle mich bei meinem Leben

Work length12:00

$3.00

$3.85

Miriam Feuersinger, Monika Mauch, Alexander Schneider, Daniel Schreiber, Markus Flaig
Les Escapades

Strattner: Du Hirt Israel

Work length6:52

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$1.30

Miriam Feuersinger, Alexander Schneider, Daniel Schreiber, Markus Flaig
Les Escapades

Strattner: Herr, der du uns hast anvertraut

Work length7:26

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$2.60

Miriam Feuersinger, Alexander Schneider, Daniel Schreiber, Markus Flaig
Les Escapades

Strattner: O Gott, du Ursprung aller Liebe

Work length10:21

$3.00

$3.85

Miriam Feuersinger, Alexander Schneider, Daniel Schreiber, Markus Flaig
Les Escapades

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The ensemble Les Escapades presents seven magnificent sacred concertos in first recordings.

Georg Christoph Strattner (c. 1644-1704) received his first training from his cousin Samuel Capricornus, who took him from Pressburg (Bratislava) to Stuttgart, where he was employed as a chapel boy.

Strattner took up his first major post at the age of 21 as Kapellmeister at the court of the Margrave of Baden-Durlach, who was having a new residence built. In 1682 he was appointed to the highly remunerated post of music director in the city of Frankfurt am Main, where he was responsible for church music at the main Protestant church.

The Cantatas on this new recording are characterised by the Italian style concertato and translate the German texts artfully, polyphonically into catchy musical themes.

Stylistically and qualitatively, Strattner’s music is roughly comparable to that of Johann Rosenmuller and forms an important link between Schutz and J.S. Bach.

It is a pity that Strattner’s career came to a scandalous end after only a few years due to a trial for adultery and banishment from Frankfurt, and that this hopeful composer fell into complete oblivion.

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