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Debussy: Fantaisie, Violin Sonata, Cello Sonata, La Mer
Daniel Barenboim (piano), Michael Barenboim (violin), Kian Soltani (cello), Martha Argerich (piano), Staatskapelle Berlin
Awards:
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Presto Recording of the Week, 11th June 2021
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Assorted Programs
Michael Barenboim and Kian Soltani are the concertmaster and principal cellist of the Barenboim-founded West-Eastern Divan Orchestra, so the stellar quality of their playing is no more a surprise...
Debussy: Fantaisie, Violin Sonata, Cello Sonata, La Mer
Daniel Barenboim (piano), Michael Barenboim (violin), Kian Soltani (cello), Martha Argerich (piano), Staatskapelle Berlin
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Awards:
-
Presto Recording of the Week, 11th June 2021
-
Presto Recordings of the Year, Finalist 2021
-
International Classical Music Awards, 2022, Nominated - Assorted Programs
Michael Barenboim and Kian Soltani are the concertmaster and principal cellist of the Barenboim-founded West-Eastern Divan Orchestra, so the stellar quality of their playing is no more a surprise...
About
Contents and tracklist
- Martha Argerich (piano)
- Staatskapelle Berlin
- Daniel Barenboim
- Recorded: 2018-05-07
- Recording Venue: Musikverein, Wien
- Michael Barenboim (violin), Daniel Barenboim (piano)
- Recorded: 2018-06-03
- Recording Venue: Pierre Boulez Saal, Berlin
- Kian Soltani (cello), Daniel Barenboim (piano)
- Recorded: 2018-06-03
- Recording Venue: Pierre Boulez Saal, Berlin
- Staatskapelle Berlin
- Daniel Barenboim
- Recorded: 2018-05-09
- Recording Venue: Musikverein, Wien
Spotlight on this release
Awards and reviews
-
Presto Recording of the Week11th June 2021
-
Presto Recordings of the YearFinalist 2021
-
International Classical Music Awards2022Nominated - Assorted Programs
August 2021
Michael Barenboim and Kian Soltani are the concertmaster and principal cellist of the Barenboim-founded West-Eastern Divan Orchestra, so the stellar quality of their playing is no more a surprise than Barenboim’s richly detailed and hyper-alert accompanying which never dominates proceedings.
July 2021
It seems [the Fantaisie is] work utterly suited to her febrile virtuosity and there’s a freshness to her playing that utterly belies her years, while her sense of shading and dynamic is a constant delight
11th June 2021
Argerich alternates seamlessly between truly soloistic playing and a more self-effacing approach to quasi-accompaniment filigree material, though at times she combines both…The way this duo captures the [violin] sonata’s changing moods is remarkable; it seems clichéd to attribute this to their familial relationship but that must be a factor…there are moments of unusual stillness in the first movement [of La mer] that many other accounts lack.