"Edward Cowie is one of the most individual and notable voices in contemporary music – which he sees as both conscious and unconscious sensitivity to sound. Highly inspired by Nature and our world, he works with sound, colour, order and disorder, shape, pattern and form which he sees as part of a grand unification of sensual input. The two works here are linked by one inspiration: water and its natural environments. Both Concertos, which are each presented in one movement, are highly focussed, dramatic and dynamic, and are important contributions to the 21st century orchestral repertoire. Alan Hacker overcame a severe disability to become one of Britain’s most respected and gifted soloists and in all his work, whether in the core classics or contemporary arena, showed an ability and musicianship above most others. He accompanies the Royal Liverpool Philharmonic, which at the time of this recording was perhaps at one of its peaks of performance. Howard Williams is said by the composer to be the conductor who brings out the most in his music. The pianist in the Concerto for Orchestra is the celebrated Martin Roscoe. This recording was originally issued on vinyl LP in 1986 (Hyperion) and was warmly received: ‘An absolute tour de force of orchestral colour and energy! The work pulsates with the ocean’s mood changes. Cowie is a true sonic poet of Nature’ – David Cairns (The Observer) ‘Scintillating! Powered by a relentless elemental force- what a triumph!’- William Mann (The Times) Edward Cowie is one of the most individual and notable voices in contemporary music – which he sees as both conscious and unconscious sensitivity to sound. Highly inspired by Nature and our world, he works with sound, colour, order and disorder, shape, pattern and form which he sees as part of a grand unification of sensual input. The two works here are linked by one inspiration: water and its natural environments. Both Concertos, which are each presented in one movement, are highly focussed, dramatic and dynamic, and are important contributions to the 21st century orchestral repertoire. Alan Hacker overcame a severe disability to become one of Britain’s most respected and gifted soloists and in all his work, whether in the core classics or contemporary arena, showed an ability and musicianship above most others. He accompanies the Royal Liverpool Philharmonic, which at the time of this recording was perhaps at one of its peaks of performance. Howard Williams is said by the composer to be the conductor who brings out the most in his music. The pianist in the Concerto for Orchestra is the celebrated Martin Roscoe. This recording was originally issued on vinyl LP in 1986 (Hyperion) and was warmly received: ‘An absolute tour de force of orchestral colour and energy! The work pulsates with the ocean’s mood changes. Cowie is a true sonic poet of Nature’ – David Cairns (The Observer) ‘Scintillating! Powered by a relentless elemental force- what a triumph!’- William Mann (The Times) Edward Cowie is one of the most individual and notable voices in contemporary music – which he sees as both conscious and unconscious sensitivity to sound. Highly inspired by Nature and our world, he works with sound, colour, order and disorder, shape, pattern and form which he sees as part of a grand unification of sensual input. The two works here are linked by one inspiration: water and its natural environments. Both Concertos, which are each presented in one movement, are highly focussed, dramatic and dynamic, and are important contributions to the 21st century orchestral repertoire. Alan Hacker overcame a severe disability to become one of Britain’s most respected and gifted soloists and in all his work, whether in the core classics or contemporary arena, showed an ability and musicianship above most others. He accompanies the Royal Liverpool Philharmonic, which at the time of this recording was perhaps at one of its peaks of performance. Howard Williams is said by the composer to be the conductor who brings out the most in his music. The pianist in the Concerto for Orchestra is the celebrated Martin Roscoe. This recording was originally issued on vinyl LP in 1986 (Hyperion) and was warmly received: ‘An absolute tour de force of orchestral colour and energy! The work pulsates with the ocean’s mood changes. Cowie is a true sonic poet of Nature’ – David Cairns (The Observer) ‘Scintillating! Powered by a relentless elemental force- what a triumph!’- William Mann (The Times) Edward Cowie is one of the most individual and notable voices in contemporary music – which he sees as both conscious and unconscious sensitivity to sound. Highly inspired by Nature and our world, he works with sound, colour, order and disorder, shape, pattern and form which he sees as part of a grand unification of sensual input. The two works here are linked by one inspiration: water and its natural environments. Both Concertos, which are each presented in one movement, are highly focussed, dramatic and dynamic, and are important contributions to the 21st century orchestral repertoire. Alan Hacker overcame a severe disability to become one of Britain’s most respected and gifted soloists and in all his work, whether in the core classics or contemporary arena, showed an ability and musicianship above most others. He accompanies the Royal Liverpool Philharmonic, which at the time of this recording was perhaps at one of its peaks of performance. Howard Williams is said by the composer to be the conductor who brings out the most in his music. The pianist in the Concerto for Orchestra is the celebrated Martin Roscoe. This recording was originally issued on vinyl LP in 1986 (Hyperion) and was warmly received: ‘An absolute tour de force of orchestral colour and energy! The work pulsates with the ocean’s mood changes. Cowie is a true sonic poet of Nature’ – David Cairns (The Observer) ‘Scintillating! Powered by a relentless elemental force- what a triumph!’- William Mann (The Times) Edward Cowie is one of the most individual and notable voices in contemporary music – which he sees as both conscious and unconscious sensitivity to sound. Highly inspired by Nature and our world, he works with sound, colour, order and disorder, shape, pattern and form which he sees as part of a grand unification of sensual input. The two works here are linked by one inspiration: water and its natural environments. Both Concertos, which are each presented in one movement, are highly focussed, dramatic and dynamic, and are important contributions to the 21st century orchestral repertoire. Alan Hacker overcame a severe disability to become one of Britain’s most respected and gifted soloists and in all his work, whether in the core classics or contemporary arena, showed an ability and musicianship above most others. He accompanies the Royal Liverpool Philharmonic, which at the time of this recording was perhaps at one of its peaks of performance. Howard Williams is said by the composer to be the conductor who brings out the most in his music. The pianist in the Concerto for Orchestra is the celebrated Martin Roscoe. This recording was originally issued on vinyl LP in 1986 (Hyperion) and was warmly received: ‘An absolute tour de force of orchestral colour and energy! The work pulsates with the ocean’s mood changes. Cowie is a true sonic poet of Nature’ – David Cairns (The Observer) ‘Scintillating! Powered by a relentless elemental force- what a triumph!’- William Mann (The Times)"
