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Handel: Concerti grossi: Op. 6 (7-12)

Akademie für Alte Musik Berlin

Handel: Concerti grossi: Op. 6 (7-12)
The performance is extremely subtle, with excellent attention paid to textural offsets and clear declamation of the harmony. I like the tempos, not too fast nor to lugubrious. From my point...

Handel: Concerti grossi: Op. 6 (7-12)

Akademie für Alte Musik Berlin

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The performance is extremely subtle, with excellent attention paid to textural offsets and clear declamation of the harmony. I like the tempos, not too fast nor to lugubrious. From my point...

About

The Akademie für Alte Musik Berlin continue their Handel trilogy with this recording of the last six concerti grossi of the composer’s Op. 6. Originally designed as attractive interludes to English oratorio performances, Handel’s concerti grossi soon gained fame as some of the most appealing orchestral music of the baroque era. With these pieces, written in London towards the end of his career, Handel paid tribute to the immensely popular concerti grossi of Corelli while simultaneously proving his mastery, incorporating all musical styles of his times into his work. The players of the Akademie für Alte Musik Berlin, led by their concertmaster Bernhard Forck, demonstrate why many consider them the best baroque ensemble of today. The concerti grossi Op. 6 are concluded with this second instalment, and a recording of the concerti grossi Op. 3 will complete the trilogy. The ensemble’s first PENTATONE album, Cantata (2018) with countertenor Bejun Mehta, won a Diapason d’or. Their 2019 recording of the first six Op. 6 concerti grossi was hailed as “immaculately played … free of fashionable eccentricities” by The Sunday Times, while Klassik praised the ensemble’s playing as “eloquent”.

Contents and tracklist

I. Largo
Track length1:04
II. Allegro
Track length2:41
III. Largo
Track length2:45
IV. Andante
Track length3:32
V. Hornpipe
Track length3:18
I. Allemande
Track length4:30
II. Grave
Track length1:31
III. Andante allegro
Track length1:48
IV. Adagio
Track length1:15
V. Siciliana. Andante
Track length2:59
VI. Allegro
Track length1:16
I. Largo
Track length1:29
II. Allegro
Track length3:37
III. Larghetto
Track length2:51
IV. Allegro
Track length1:53
V. Menuet
Track length1:23
VI. Gigue. Allegro
Track length1:57
I. Ouverture
Track length3:48
II. Air. Lentement
Track length2:48
III. Allegro
Track length2:08
IV. Allegro
Track length2:54
V. Allegro moderato
Track length1:37
I. Andante larghetto e staccato
Track length4:17
II. Allegro
Track length1:34
III. Largo e staccato
Track length0:44
IV. Andante
Track length3:54
V. Allegro
Track length5:45
I. Largo
Track length1:49
II. Allegro
Track length3:18
III. Aria. Larghetto e piano
Track length2:48
IV. Largo
Track length0:35
V. Allegro
Track length2:10

Awards and reviews

July/August 2020

The performance is extremely subtle, with excellent attention paid to textural offsets and clear declamation of the harmony. I like the tempos, not too fast nor to lugubrious. From my point of view, this is one set that holds its own. It is musical in the extreme and yet never departs from the practices that Handel probably would have found most appropriate.
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