Peace in Her Mouth and War in Her Heart

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Release Date: 18th Oct 2019
Catalogue No: CRC3672
Label: Centaur
Length: 59 minutes

Strozzi: Arie, Op. 8

Work length9:41

$2.00

$2.60

Janet Youngdahl (soprano)
Cecilia's Circle

No. 4, L'astratto

Track length9:41

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$2.60

Strozzi: Cantate, ariette, e duetti, Op. 2

Work length3:54

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$1.30

Catherine Bott (soprano), Janet Youngdahl (soprano)
Cecilia's Circle

No. 23, I baci

Track length3:54

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Strozzi: Sacri musicali affetti, libro I, Op. 5

Work length6:11

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$1.30

Janet Youngdahl (soprano)
Cecilia's Circle

No. 10, Surgite, surgite

Track length6:11

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Strozzi: Arie, Op. 8

Work length3:50

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$1.30

Cecilia's Circle

No. 6, Che si può fare I

Track length3:50

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$1.30

Strozzi: Diporte di Euterpe, Op. 7

Work length4:58

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$1.30

Janet Youngdahl (soprano)
Cecilia's Circle

No. 15, Non occorre ch'io ci pensi

Track length4:58

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$1.30

Strozzi: Sacri musicali affetti, libro I, Op. 5

Work length9:15

$2.00

$2.60

Janet Youngdahl (soprano)
Cecilia's Circle

No. 11, Salve Regina

Track length9:15

$2.00

$2.60

Strozzi: Cantate, ariette, e duetti, Op. 2

Work length9:59

$2.00

$2.60

Janet Youngdahl (soprano), Catherine Bott (soprano)
Cecilia's Circle

No. 18, La riamata da chi amava

Track length5:23

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No. 2, Begli occhi

Track length4:36

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Strozzi: Diporte di Euterpe, Op. 7

Work length5:55

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$1.30

Janet Youngdahl (soprano)
Cecilia's Circle

No. 5, Non volete ch'io mi dolga?

Track length5:55

$1.00

$1.30

Strozzi: Arie, Op. 8

Work length2:30

$1.00

$1.30

Cecilia's Circle

No. 6, Che si può fare II

Track length2:30

$1.00

$1.30

Strozzi: Cantate, ariette, e duetti, Op. 2

Work length3:18

$1.00

$1.30

Janet Youngdahl (soprano)
Vivian Montgomery

No. 22, Amor dormiglione

Track length3:18

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$1.30

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About

Barbara Strozzi was an Italian singer and composer in the 1600s. Period vocal and instrumental ensemble Cecilia's Circle has performed this music for three decades. These are passionate, evocative songs, which are receiving here a worthy revival. Cecilia's Circle has been committed since its inception in 1991 to bringing new life to the long-buried brilliance of many women composers, and to finding meaningful, elevating ways of integrating their works into today's concert repertoire. Beyond this pursuit, Cecilia's Circle (named for the Patron Saint of Music who is celebrated especially in the exultant odes of Henry Purcell and G.F. Handel) has turned its attention frequently to the dramatic depiction of female figures found in works of renowned male composers of the Baroque era. Indeed, many of these probing portraits offer us as bold an insight into, and as vivid an image of women throughout the centuries as if the women portrayed had composed their own musical renderings. In this sense, the circle is one of inclusion, one of exploring and celebrating the roles of women across the musical languages of earlier eras.

Peace in Her Mouth and War in Her Heart

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