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Leopold Hofmann: Flute Concertos, Vol. 3

Uwe Grodd (flute)

Czech Chamber Philharmonic Orchestra Pardubice, Michael Halász

Leopold Hofmann: Flute Concertos, Vol. 3
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The Czech Chamber Orchestra performs admirably under the direction of Michael Halász...The ensemble...is first-rate, and the players know when to retreat in the face of the flute solo lines,...

Leopold Hofmann: Flute Concertos, Vol. 3

Uwe Grodd (flute)

Czech Chamber Philharmonic Orchestra Pardubice, Michael Halász

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This release includes a digital booklet

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The Czech Chamber Orchestra performs admirably under the direction of Michael Halász...The ensemble...is first-rate, and the players know when to retreat in the face of the flute solo lines,...

About

Leopold Hofmann was among the most prominent Viennese composers of his generation, his music performed all over Europe. Hofmanns radiant flute concertos follow the conventions of the day with superlative elegance and a deceptive facility. The solo writing has a lightness, grace and agility perfectly suited to the instruments strengths, particularly in the lovely and often rhapsodic slow movements. It is hardly surprising that musicians and audiences found these concertos so beguiling, and they have lost none of their magic today.

Contents and tracklist

I. Allegro
Track length6:16
II. Andante ma non molto
Track length4:34
III. Allegro spiritoso
Track length4:35
I. Tempo giusto
Track length5:12
II. Adagio un poco andante
Track length4:47
III. Vivace
Track length4:03
I. Allegro moderato
Track length6:04
II. Andante ma non molto
Track length5:13
III. Allegro
Track length4:25
I. Tempo giusto
Track length6:52
II. Adagio un poco andante
Track length5:48
III. Allegro molto
Track length4:56

Awards and reviews

March/April 2020

The Czech Chamber Orchestra performs admirably under the direction of Michael Halász...The ensemble...is first-rate, and the players know when to retreat in the face of the flute solo lines, yet retain a solid rhythmic foundation. Soloist Uwe Grodd performs his sometimes challenging passages with ease and grace, and in those passages which require a certain expansive lyricism he lets the instrument float.
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