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Myrtle and Rose - Songs by Clara and Robert Schumann

Kyle Stegall (tenor), Eric Zivian (fortepiano)

Myrtle and Rose - Songs by Clara and Robert Schumann
Stegall has a sweet-toned, attractive sound, with moments of great tenderness and beauty. But his interpretative voices are occasionally bewildering…Zivin, on an 1841 Viennese Rausch fortepiano,...

Myrtle and Rose - Songs by Clara and Robert Schumann

Kyle Stegall (tenor), Eric Zivian (fortepiano)

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This release includes a digital booklet

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Stegall has a sweet-toned, attractive sound, with moments of great tenderness and beauty. But his interpretative voices are occasionally bewildering…Zivin, on an 1841 Viennese Rausch fortepiano,...

About

<p>Myrtle & Rose features two of Robert Schumann's most beloved song cycles Liederkreis Opp. 24 and 39 - alongside several rarely-recorded songs by his wife Clara, in a beautifully captured partnership of tenor Kyle Stegall and fortepianist Eric Zivian. <p>Myrtle & Rose - the title taken from the Heinrich Heine poem which Robert Schumann set as the final song of his Liederkreis, Op. 24 - features two of his most beloved song cycles (the other being Liederkreis, Op. 39) along with several rarely-recorded songs by his wife Clara. The album beautifully captures the artistic partnership of tenor Kyle Stegall and fortepianist Eric Zivian, who first collaborated at the Valley of the Moon Music Festival in Sonoma, California. Stegall's "lovely tone and ardent expression" (The New York Times) and Eric Zivian's original 1841 Rausch fortepiano from Vienna built exactly when the songs were written combine in these inspired and illuminating interpretations. The release celebrates the 200th anniversary of the birth of Clara Schumann. A unique bonus is the inclusion of Kyle Stegall's new English translations of the sung texts in the booklet. <p>CRITICAL ACCLAIM "a gentle tone that melted the hearts of all" - OperaWire on Kyle Stegall <p>"the last word in low key virtuosity" - San Francisco Classical Voice on Eric Zivian

Contents and tracklist

I. In der Fremde
Track length2:06
II. Intermezzo
Track length1:53
III. Waldesgespräch
Track length2:31
IV. Die Stille
Track length1:40
V. Mondnacht
Track length3:31
VI. Schöne Fremde
Track length1:20
VII. Auf einer Burg
Track length2:56
VIII. In der Fremde
Track length1:27
IX. Wehmut
Track length2:28
X. Zwielicht
Track length2:58
XI. Im Walde
Track length1:30
XII. Frühlingsnacht
Track length1:22
I. Morgens steh' ich auf
Track length1:13
II. Es treibt mich hin
Track length1:24
III. Ich wandelte unter den Bäumen
Track length3:23
IV. Lieb' Liebchen
Track length1:09
V. Schöne Wiege meiner Leiden
Track length4:30
VI. Warte, warte, wilder Schiffsmann
Track length2:06
VII. Berg' und Burgen schau'n herunter
Track length4:14
VIII. Anfangs wollt' ich fast verzagen
Track length1:00
IX. Mit Myrthen und Rosen
Track length4:10

Awards and reviews

October 2019

Stegall has a sweet-toned, attractive sound, with moments of great tenderness and beauty. But his interpretative voices are occasionally bewildering…Zivin, on an 1841 Viennese Rausch fortepiano, accompanies Stegall sensitively, if occasionally splashily…Altogether, an appealing recital, but not a revelatory one.

October 2019

I mean no disrespect to Kyle Stegall when I say that one of the great pleasures of this album is to hear Eric Zivian put his 1841 Rauch through its paces…Zivian’s sensitive playing relishes the instrument’s possibilities and distinctive colour. [Stegall is] an outstanding communicator – a passionate and engaged one, too…There is nothing I the performances that isn’t done with care and intelligence.

21st July 2019

Stegall combines his ripe lyric tenor with poetic intelligence, while Zivian’s contribution on a silvery-toned 1841 Rausch fortepiano comes across with crystalline clarity.
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