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Johann Strauss: Eine Nacht in Venedig

Lothar Odinius, Götz Zemann, Elisabeth Pratscher, Elena Puszta

Alexander Geller, Ivan Orescanin, Sieglinde Feldhofer, Stefanie

Hierlmeier, Dominika Blazek, Sangyeon Chae

Chor der Oper Graz, Grazer Philharmoniker, Marius Burkert

Johann Strauss: Eine Nacht in Venedig
There’s a pleasing sense of ensemble in this recording, particularly amongst the men – Ivan Orescanin as the pasta cook Pappacoda and the Duke’s barber Caramello…Marius Burkert in the pit keeps...

Johann Strauss: Eine Nacht in Venedig

Lothar Odinius, Götz Zemann, Elisabeth Pratscher, Elena Puszta

Alexander Geller, Ivan Orescanin, Sieglinde Feldhofer, Stefanie

Hierlmeier, Dominika Blazek, Sangyeon Chae

Chor der Oper Graz, Grazer Philharmoniker, Marius Burkert

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
There’s a pleasing sense of ensemble in this recording, particularly amongst the men – Ivan Orescanin as the pasta cook Pappacoda and the Duke’s barber Caramello…Marius Burkert in the pit keeps...

About

Erich Wolfgang Korngold greatly revised the comic operetta A Night in Venice by Johann Strauss (Jr.) on the basis of the libretto version by Ernst Marischka. The original Straussian version initially rapidly made its way around the world, with performances in the lands of the Danube monarchy as well as in Hamburg, Munich, and London and even in New York. Nevertheless, until the end of World War I it experienced only about five hundred performances, which means that it was clearly overshadowed by Die Fledermaus. Again and again the attempt was made to reinterpret the text with interventions revising its content. Erich Wolfgang Korngold took an additional step in 1923, when he not only adapted the text but also changed the original instrumentation and integrated inserts into the work from other operettas by Strauss, for example, from Simplicius (1880). For several reasons Korngold’s revised version was a success when it was performed at the Theater an der Wien on 25 October 1923: the stage set was lavish and magnificent, the new orchestration displayed tonal sophistication, and the great Richard Tauber was heard in the role of the Duke in quest of erotic adventures.

Contents and tracklist

Overture
Track length6:15
Act I (Arr. E.W. Korngold): Wenn vom Lido sacht
Track length3:39
Act I (Arr. E.W. Korngold): Frutti di mare
Track length2:37
Act I (Arr. E.W. Korngold): S'ist wahr, ich bin nicht allzu klug
Track length2:00
Act I (Arr. E.W. Korngold): Evviva, Caramello!
Track length2:17
Act I (Arr. E.W. Korngold): Anninal! Caramello!
Track length3:07
Act I (Arr. E.W. Korngold): Alle maskiert
Track length2:36
Act I (Arr. E.W. Korngold): Sei mir gegrüßt
Track length2:36
Act I (Arr. E.W. Korngold): Hier ward es still
Track length13:57
Act I (Arr. E.W. Korngold): Entr'Act
Track length1:11
Act II (Arr. E.W. Korngold): Melodram
Track length1:36
Act II (Arr. E.W. Korngold): Venedigs Frauen herzuführen
Track length2:24
Act II (Arr. E.W. Korngold): Treu sein, das liegt mir nicht
Track length1:58
Act II (Arr. E.W. Korngold): Hör ich Annina, komm in die Gondel
Track length3:31
Act II (Arr. E.W. Korngold): Sie sagten meinem Liebsflehn
Track length1:54
Act II (Arr. E.W. Korngold): Solch ein Wirtshaus lob' ich mir
Track length3:52
Act II (Arr. E.W. Korngold): Ninana, hier will ich singen
Track length1:59
Act II (Arr. E.W. Korngold): Lasset die anderen Tanzen da
Track length7:14
Act II (Arr. E.W. Korngold): Aufzugsmarsch
Track length2:46
Act III (Arr. E.W. Korngold): Karneval ruft euch zum Ball
Track length3:47
Act III (Arr. E.W. Korngold): Ach wie so herrlich zu schauen
Track length3:38
Act III (Arr. E.W. Korngold): Tacke, tacke, tack, erst hack' ich fein
Track length2:41
Act III (Arr. E.W. Korngold): Wie sich's gebührt
Track length0:33

Awards and reviews

September 2019

There’s a pleasing sense of ensemble in this recording, particularly amongst the men – Ivan Orescanin as the pasta cook Pappacoda and the Duke’s barber Caramello…Marius Burkert in the pit keeps the performance afloat and knows exactly when to seduce his audience.

September 2019

The Chor der Oper Graz and the Grazer Philharmoniker, under the direction of Marius Burkert, are in the right idiomatic spirit…
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