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Weinberg: Concertino, Op. 43 & 24 Preludes for Solo Cello, Op. 100

Marina Tarasova (cello)

Musica Viva Chamber Orchestra, Alexander Rudel

Weinberg: Concertino, Op. 43 & 24 Preludes for Solo Cello, Op. 100
Tarasova is alive to the klezmer intonations that surface most obviously in the Scherzo third movement, and in general this first recording makes a far stronger case for the work than its Moscow...

Gramophone Magazine, December 2018

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Weinberg: Concertino, Op. 43 & 24 Preludes for Solo Cello, Op. 100

Marina Tarasova (cello)

Musica Viva Chamber Orchestra, Alexander Rudel

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Tarasova is alive to the klezmer intonations that surface most obviously in the Scherzo third movement, and in general this first recording makes a far stronger case for the work than its Moscow...

Gramophone Magazine, December 2018

More reviews

About

The Concertino for Cello & Orchestra was found in 2016 and established as a separate fore-runner to the later Cello Concerto. The Preludes autographed edition was presented to Marina Tarasova when she studied with Weinberg in 1979

Contents and tracklist

Weinberg: Cello Concerto in D Minor, Op. 43
Work length15:15
Cello Concerto in C Minor, Op. 43: I. Adagio
Track length4:05
Cello Concerto in C Minor, Op. 43: II. Moderato
Track length3:01
Cello Concerto in C Minor, Op. 43: III. Allegro
Track length3:19
Cello Concerto in C Minor, Op. 43: IV. Adagio
Track length4:50
Weinberg: Twenty-Four Preludes, Op. 100
Work length48:24
24 Preludes, Op. 100: Prelude No. 1
Track length1:43
24 Preludes, Op. 100: Prelude No. 2
Track length0:57
24 Preludes, Op. 100: Prelude No. 3
Track length1:04
24 Preludes, Op. 100: Prelude No. 4
Track length1:53
24 Preludes, Op. 100: Prelude No. 5
Track length1:48
24 Preludes, Op. 100: Prelude No. 6
Track length1:49
24 Preludes, Op. 100: Prelude No. 7
Track length2:06
24 Preludes, Op. 100: Prelude No. 8
Track length1:07
24 Preludes, Op. 100: Prelude No. 9
Track length2:33
24 Preludes, Op. 100: Prelude No. 10
Track length1:41
24 Preludes, Op. 100: Prelude No. 11
Track length2:51
24 Preludes, Op. 100: Prelude No. 12
Track length1:59
24 Preludes, Op. 100: Prelude No. 13
Track length1:45
24 Preludes, Op. 100: Prelude No. 14
Track length0:46
24 Preludes, Op. 100: Prelude No. 15
Track length3:52
24 Preludes, Op. 100: Prelude No. 16
Track length2:15
24 Preludes, Op. 100: Prelude No. 17
Track length2:36
24 Preludes, Op. 100: Prelude No. 18, Sarabande
Track length3:59
24 Preludes, Op. 100: Prelude No. 19
Track length2:22
24 Preludes, Op. 100: Prelude No. 20
Track length1:07
24 Preludes, Op. 100: Prelude No. 21
Track length1:15
24 Preludes, Op. 100: Prelude No. 22
Track length1:25
24 Preludes, Op. 100: Prelude No. 23
Track length2:21
24 Preludes, Op. 100: Prelude No. 24, Menuet
Track length3:10

Awards and reviews

December 2018

Tarasova is alive to the klezmer intonations that surface most obviously in the Scherzo third movement, and in general this first recording makes a far stronger case for the work than its Moscow concert premiere with different artists…Another unmissable disc, then, for Weinberg followers.
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