[Valerie Tyron] modifies the composer’s Sturm und Drang in his D minor Concerto K466 with all of her impeccable taste and musicianship. Closer to Clara Haskil’s sobriety than to Argerich’s tempest-tossed recording, her clear and unaffected playing rises above the orchestra’s seething unrest in the opening Allegro and achieves a true sense of drama in the Romance’s central downpour. For the two-piano concerto and two-piano sonata Tryon is joined by Peter Donohoe, and in the three-piano concerto by Mishka Rushdie Momen. Here, there is a truly glorious sense of relaxed music making, of an interplay and dove-tailing as sparkling as it is affectionate. Somm’s sound and balance are exemplary and Michael Quinn’s note is as enlivening as the playing.