Mendelssohn: A Midsummer Night's Dream - incidental music, Op. 61 & Overture, Op. 21
Ceri-Lyn Cissone (narrator), Alexander Knox (narrator) & Frankie Wakefield (narrator)
London Symphony Orchestra & The Monteverdi Choir, Sir John Eliot Gardiner
Awards:
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Presto Recording of the Week, 3rd February 2017
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BBC Music Magazine, April 2017, Orchestral Choice
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Diapason d’Or de l’Année, 2017, Winner - Musique Symphonique
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Presto Recordings of the Year, Winner 2017
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The Times Records of the Year, 2017
…much to enjoy here…pinpoint precision of melody-carrying flutes and violins, the sure footed bass and above all a sense that the composer is being taken seriously.
Mendelssohn: A Midsummer Night's Dream - incidental music, Op. 61 & Overture, Op. 21
Ceri-Lyn Cissone (narrator), Alexander Knox (narrator) & Frankie Wakefield (narrator)
London Symphony Orchestra & The Monteverdi Choir, Sir John Eliot Gardiner
Purchase product
Awards:
-
Presto Recording of the Week, 3rd February 2017
-
BBC Music Magazine, April 2017, Orchestral Choice
-
Diapason d’Or de l’Année, 2017, Winner - Musique Symphonique
-
Presto Recordings of the Year, Winner 2017
-
The Times Records of the Year, 2017
…much to enjoy here…pinpoint precision of melody-carrying flutes and violins, the sure footed bass and above all a sense that the composer is being taken seriously.
About
Continuing his award-winning cycle of works by Felix Mendelssohn, Sir John Eliot Gardiner leads the LSO, his Monteverdi Choir and three talented young actors from the Guildhall in a landmark performance of 'A Midsummer Night’s Dream', which was performed as part of the 400th anniversary of Shakespeare’s death. To mark the celebrations, Gardiner produced a special version of the work featuring some cuts to the original movements that, in his words, "remove all of the music relating to the Mechanicals and thus focus on the world of the fairies and the human lovers". Mendelssohn, who adored Shakespeare’s writings, composed his concert overture based on 'A Midsummer Night’s Dream' in 1827 aged 17, after having read a German translation of the play. The overture was immediately acclaimed as a masterpiece and quickly became a popular favourite throughout Europe. Years later in 1843 he was asked by the King of Prussia to provide a score for an entire production: 14 short works based on themes and moods from the original overture, with a broadly romantic sound although classical in style and structure.
The Pure Audio Blu-ray disc includes bonus footage of the concert performance of 'A Midsummer Night’s Dream' and Mendelssohn’s Symphony No 1, alongside high resolution master audio.
SACD Hybrid + Pure Audio Blu-ray | 2 disc jewel case with clear tray
2.0 stereo | multi-channel 5.1
Notes in En, Fr, Ge
Contents and tracklist
- Alexander Knox, Ceri-lyn Cissone, Frankie Wakefield
- London Symphony Orchestra, Monteverdi Choir
- Sir John Eliot Gardiner
Spotlight on this release
Awards and reviews
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Presto Recording of the Week3rd February 2017
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BBC Music MagazineApril 2017Orchestral Choice
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Diapason d’Or de l’Année2017Winner - Musique Symphonique
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Presto Recordings of the YearWinner 2017
-
The Times Records of the Year2017
April 2017
…much to enjoy here…pinpoint precision of melody-carrying flutes and violins, the sure footed bass and above all a sense that the composer is being taken seriously.
3rd February 2017
it definitely still feels like a full representation of Mendelssohn's sparkling music.
And sparkle it does: there's a real lightness of touch in the Overture, and I was delighted with the way that Gardiner manages to make familiar music sound fresh...I wouldn’t have thought there was anything Gardiner could have done to invigorate that most familiar of tunes, namely the Wedding March, and yet that’s exactly what he does.
26th February 2017
Here, unless you were at the concert from which this recording was taken last year, is Mendelssohn’s Shakespeare music as you’ve never heard it before...Gardiner hears this music through the prism of period instruments and conveys its magic with his outstanding choir and soloists.
Classical Music June 2017
[Gardiner] secures remarkable crisp, lithe playing – some pianissimos are simply breathtaking – and restores a handful of cuts to the familiar performance version. His choral stalwarts are on top form, as are three impressive young actors from the GSMD