Salieri: La scuola de' gelosi - Deutsche HM: 88985332282 - 3 CDs or download | Presto Classical

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Ehrhardt elicits an accomplished account from his period-instrument ensemble and a strong, well-matched team of principals. — BBC Music Magazine, April 2017, More…

Release Date: 25th Nov 2016
Catalogue No: 88985332282
Label: Deutsche HM
Length: 2 hours 41 minutes

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Contents

Salieri: La scuola de' gelosi

2:41:09

Album only

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L'arte del mondo, Francesca Lombardi Mazzulli (soprano), Emiliano d'Aguanno (tenor), Patrick Vogel (tenor), Milena Storti (mezzo-soprano), Federico Sacchi (bass), Florian Götz (baritone), Roberta Mameli (soprano)
Werner Ehrhardt

Act I: Sinfonia

3:07

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Act I: Scena 1, Introduzione: "Zitto! Alcun sentir mi parve"

2:29

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Act I: Scena 1, Recitativo: "Il padron!"

1:55

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Act I: No. 1, Aria: "Gelosia d'amore"

2:06

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Act I: Scena 2: "Già male si consiglia"

1:37

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Act I: No. 2, Aria: "Una donna che affetto non sente"

2:42

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Act I: Scena 3, Recitativo: "A burlami io la sfido"

0:36

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Act I: Scena 4, Recitativo: "Signora padroncina"

1:39

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Act I: Scena 5, Recitativo: "Signorina... Signore"

0:59

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Act I: No. 3, Duettino: "Al gran Can di Tartaria"

2:22

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Act I: No. 4, Cavatina: "Ah, non è ver che in seno"

2:37

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Act I: Scena 6, Recitativo: "Io serventi non ho"

1:04

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Act I: No. 5, Cavatina: "A me par che il mondo sia"

2:51

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Act I: Scena 6, Recitativo: "Ma quale agli occhi miei"

1:08

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Act I: Scena 7, Recitativo: "Madama... Vi son serva"

1:32

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Act I: No. 6, Terzetto: "Eh via, saggia Penelope"

5:22

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Act I: Scena 8, Recitativo: "Poverina! Ella v'ama"

1:26

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Act I: Scena 9, Recitativo: "Oh povera Contessa!"

0:49

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Act I: No. 7, Aria: "Ah, non siate ognor sì facili"

3:25

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Act I: Scena 10, Recitativo: "Chiudermi in casa!"

0:37

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Act I: Scena 11, Recitativo: "Il Conte spera d"introdursi in casa"

1:27

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Act I: Scene 12, Recitativo: "Signori, con permesso"

2:15

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Act I: No. 8, Aria: "Fate buona compagnia"

3:38

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Act I: Scena 13, Recitativo: "Una finta querela"

0:56

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Act I: Scena 14, Recitativo: "Converrà ch'io la cerchi"

1:49

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Act I: No. 9, Aria: "Chi può vedere oppresso"

3:13

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Act I: Scena 15, Recitativo: "Brava! Brava! Ha ragione il signor Conte"

1:09

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Act I: No. 10, Aria: "Se verrete a me vicino"

3:18

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Act I: Scena 16, Recitativo: "Polito! Vera moglie!"

0:58

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Act I: Scena 17, Recitativo: "Carlotta, la mantiglia"

1:08

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Act I: Scena 18, Recitativo: "Addio, bella Ernestina"

0:46

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Act I: Scena 19, Recitativo: "Chiudete ben, gelosi"

0:46

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Act I: Scena 20, Recitativo: "La donna quando vuol già ve la fa!"

2:08

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Act I: Scena 21, Recitativo: "Dimmi, tu, mio marito"

1:15

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Act I: No. 11, Aria: "Gelosia, dispetto e sdegno"

3:53

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Act I: Scena ultima, Recitativo: "Con mille smanie al core"

1:18

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Act I: Finale primo: "Son le donne sopraffine"

12:40

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Act II: Scena 1, Recitativo: "Sono a tavola ancora?"

1:54

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Act II: No. 12, Aria: "Il cor nel seno balzar mi sento"

2:26

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Act II: Scena 2, Recitativo: "Vammi a genio costei"

0:34

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Act II: No. 13, Aria: "Lumaca, giudizio!"

2:15

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Act II: Scena 3, Recitativo: "Tenente, è ben sciapito"

7:11

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Act II: No. 14, Duettino: "Quel visino è da ritratto"

2:46

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Act II: Scena 4, Recitativo: "Udite, Contessina"

1:42

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Act II: Scena 5, Recitativo: "Sarà bello il progetto"

1:31

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Act II: No. 15, Aria: "Chi vuol nella femmina"

3:20

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Act II: Scena 6, Recitativo: "Ricordati, Lumaca"

3:16

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Act II: No. 16, Aria: "Queste donne sussiegate"

2:46

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Act II: Scena 7, Recitativo: "Ti par ch'ella fremesse?"

0:52

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Act II: No. 17, Aria: "Adagio... allor potrei"

3:29

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Act II: No. 18, Cavatina: "Cattivo segno, sposine amabili"

1:03

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Act II: Scena 9, Recitativo: "Infido! Un ritrattino!"

0:42

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Act II: Scena 10, Recitativo: "Fate quel che vi dissi"

1:46

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Act II: No. 19, Quintetto: "Ah! La rabbia mi divora"

6:18

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Act II: Scena 10, Recitativo: "Signori, con permesso"

0:22

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Act II: Scena 11, Recitativo: "A me nasce il sospetto"

0:44

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Act II: Scena 12, Recitativo: "Or la cagion capisco"

1:01

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Act II: No. 20, Aria: "Più sereni quegli occhi volgete"

3:09

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Act II: Scena 13, Recitativo: "Ah, traditor!"

0:21

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Act II: Scena 14, Recitativo: "Cosa comanda?"

1:27

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Act II: Scena 15, Accompagnato: "Or ei con Ernestina"

2:16

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Act II: No. 21, Aria: "Ah, sia già de' miei sospiri"

6:09

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Act II: Scena 16, Recitativo: "E il Conte ancor non torna"

1:03

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Act II: Scena ultima, Recitativo: "Amico traditore!"

0:51

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Act II: Finale secondo: "Mia bella Ernestina"

16:55

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About
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About

In its day La scuola de’ gelosi (1778) was one of the best-known comic operas by Antonio Salieri (1750–1825), remaining a box-office hit for decades. All the more astonishing is the fact that it could sink into obscurity. Even Goethe was excited by this masterpiece: “The opera is the audience’s favourite, and the audience is right. It contains an astonishing richness and variety, and the subject is treated with the most exquisite taste. I was moved by every aria.” In the wake of its world premiere in Venice in 1778, La scuola de’ gelosi was performed in opera houses all over Europe, from Dresden, Vienna, Prague and Paris to cities as far away as London and St Petersburg, before it passed into near-oblivion. Not until well over two centuries later did Werner Ehrhardt and his ensemble, l’arte del mondo, rediscover this musical treasure. Their world-premiere recording affords impressive proof of Salieri’s abilities and explores his shrewd delineation of character, whereby jealousy repeatedly rears its head in ever-new guises.

Reviews

April 2017

Ehrhardt elicits an accomplished account from his period-instrument ensemble and a strong, well-matched team of principals.

February 2017

Werner Ehrhardt pays careful attention to details, and L’Arte del Mondo play more than capably in arias and ensembles that aptly characterise witty banter, scampering tetchiness, enraged outbursts and suave evocations of tenderness

March 2017

The performances…attain a high standard, with particularly outstanding contributions from Francesca Lombardi Mazzuli's Countess and Federico Sacchi's richly characterized portrait of the hapless merchant Blasio. Werner Eckhardt's direction is excellent - well paced, spirited and, where requied sensitive.

Salieri didn’t share Mozart’s gift for instant and succinct musical characterisation, but still, he’s more than Shaffer’s “patron saint of mediocrities”...There are no real standouts in Werner Ehrhardt’s mostly Italian-speaking cast, but all are decent. The orchestral playing has the odd rough edge but plenty of spirit.

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