Special offer. Sibelius: Music for Violin & Piano
Carlos Damas (violin) & Anna Tomasik (piano)
Damos comes at the works with a big, broad sound (especially low down), a prominent vibrato that infiltrates even the shortest of notes, and more Catholic fervour than Lutheran sobriety in the...
Special offer. Sibelius: Music for Violin & Piano
Carlos Damas (violin) & Anna Tomasik (piano)
Purchase product
Damos comes at the works with a big, broad sound (especially low down), a prominent vibrato that infiltrates even the shortest of notes, and more Catholic fervour than Lutheran sobriety in the...
About
In this recording, Carlos Damas and Anna Tomasik present us with some little treasures from between 1915 — the year Sibelius composed his Symphony No. 5, later revised in 1919 — and 1924 — the year of his Symphony No. 7, his last one and, according to some critics, his “most remarkable compositional achievement”
Contents and tracklist
- Carlos Damas (violin) & Anna Tomasik (piano)
- Carlos Damas (violin) & Anna Tomasik (piano)
- Carlos Damas (violin) & Anna Tomasik (piano)
- Carlos Damas (violin) & Anna Tomasik (piano)
Awards and reviews
November 2016
Damos comes at the works with a big, broad sound (especially low down), a prominent vibrato that infiltrates even the shortest of notes, and more Catholic fervour than Lutheran sobriety in the ‘Religioso’. I love the way Damas digs deep in the ‘Rigaudon’ so you hear his instrument rattle, but [his consistently prominent, in-your-face tone] can become wearing
