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Special offer. Purcell: Twelve Sonatas of three parts (1683)

The King’s Consort

Purcell: Twelve Sonatas of three parts (1683)
The King's Consort, whose Purcellian pedigree has been honed over a long and distinguished discography, presents informed yet instinctive performances. Purcell's expressive points are made without...

Special offer. Purcell: Twelve Sonatas of three parts (1683)

The King’s Consort

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This release includes a digital booklet

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The King's Consort, whose Purcellian pedigree has been honed over a long and distinguished discography, presents informed yet instinctive performances. Purcell's expressive points are made without...

About

Tenth release on the VIVAT label brings the latest in The King’s Consort’s acclaimed recordings of Henry Purcell’s brilliant chamber music: the Twelve Sonatas of Three Parts. Proudly published by the young composer in 1683, Purcell’s highly individual, extraordinarily inventive music combines French elegance, Italian vigour and delicious English melancholy with harmonic

daring, extraordinary contrapuntal technique, ravishing dissonances and unique melodic invention.

The King’s Consort holds a worldwide reputation as leading performers of Purcell. This new release follows the much-admired 2014 recording of the Ten Sonatas in Four Parts, and adds to TKC’s 25 recordings of the composer’s music, which have won numerous international awards and been central in restoring Purcell’s music to prominence.

International performer line-up including Italian-Dutch violinist Cecilia Bernardini, Japanese viol player Reiko Ichise, Welsh violinist Huw Daniel, and English organist/harpsichordist Robert King and theorbo player Lynda Sayce.

Recorded in the glorious acoustic of St John’s Church, Loughton.

Extensive presentation includes 44 page booklet with authoritative liner note in three languages by renowned Purcell expert and biographer Robert King, session photographs and reproductions from the 1683 first edition.

An informative video recorded at the sessions is on YouTube and at www.vivatmusic.com

Contents and tracklist

I. Grave - Vivace - Adagio
Track length3:39
II. Presto - Largo
Track length3:06
I. Andante - Largo - Presto
Track length2:34
II. Adagio - Vivace - Allegro - Grave
Track length3:22
I. Grave - Adagio - Canzona - Adagio
Track length3:46
II. Poco largo - Allegro
Track length2:36
I. Largo - Canzona
Track length2:40
II. Poco largo - Allegro - Largo
Track length2:55
I. Largo - Adagio
Track length3:03
II. Largo - Grave - Canzona - Adagio
Track length3:42
I. Grave
Track length3:15
II. Canzona - Largo - Allegro
Track length4:30
I. Grave - Canzona
Track length3:27
II. Largo - Grave - Vivace - Adagio
Track length4:32
I. Largo - Poco largo - Allegro
Track length3:29
II. Grave - Vivace
Track length1:43
I. Grave - Largo
Track length3:01
II. Canzona - Adagio - Allegro
Track length4:44
I. Allegro - Largo
Track length2:30
II. Grave - Presto
Track length2:05
I. Grave - Canzona
Track length3:09
II. Adagio - Largo
Track length3:10
I. Adagio - Canzona - Poco largo
Track length3:10
II. Grave - Presto - Allegro - Adagio
Track length2:38

Spotlight on this release

Awards and reviews

January 2016

The King's Consort, whose Purcellian pedigree has been honed over a long and distinguished discography, presents informed yet instinctive performances. Purcell's expressive points are made without exaggeration, and the players steer a course through the numerous tempo changes with effortless fluidity...this is glorious music, gloriously played.

8th November 2015

they retain the power to raise modern listeners’ eyebrows in delight. Robert King and co give well-shaped, sweet-sounding accounts.

13th November 2015

The performances are precise and the deft negotiations are subtly shaded to bring out shifts of emotion.

Classical Music January 2016

[This] version is steelier than the Retrospect Trio’s warmer approach (Linn), while at the same time being more flexible in terms of tempi and continuo. With generous playing times and excellent sound apiece, be sure you own one or the other

13th November 2015

The boldness of the music can still take one’s breath away, and the King’s Consort really get under the skin of these sometimes highly dissonant pieces.
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